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LOST HIGHWAY

A sentimental, heart-wrenching tale from novelist and story- writer Currey (The Wars of Heaven, 1990, Fatal Light, 1988, etc.) offers brief glimpses of a banjo player's path—though tragic—to fame and self-respect. A coal miner's son born poor but proud enough to take up the banjo to ease the worry of his widowed mother, Sapper Reeves is cut from the rough, durable broadcloth of American legend. At the opening of the novel, Reeves, in his 70s, takes a break from writing the songs for what will prove to be his capstone album and drives back to his hometown of Maxwell, West Virginia, reflecting on the origins of the Steel Creek Boys, a trio he formed in 1947 with his boyhood chum Estin Wyrell and the handsome, self-assured Leonard James. With Leonard on guitar and Wyrell on fiddle, the three left their jobs, wives, and infants to go in search of success, but found mostly misery, disappointment, and loneliness while performing at high-school socials and dingy roadhouses. The joys of playing country music are never enough to overcome the disappointments, as the trio are cheated by dishonest club owners, exploited by radio stations, and insulted by drunks. After a hostile audience beats them up and smashes their instruments, Reeves slips for several years into an alcoholic funk, losing the affections of his trusting wife, Riva, but not of his young son, Bob, who later joins the Marines, goes off to fight in Vietnam, and returns home physically and spiritually crippled. Reeves's early experience with failure helps him cope with his son's despair. Then an unexpected gift of a banjo from Wyrell, and Riva's cautious return, bring Reeves back to his music at a time when a younger generation is looking for heroes. More bitter than sweet, and frequently fogged by self-conscious Faulknerisms, but finally saved by a convincing depiction of the hard lives of its characters and the stubborn persistence of their modest hopes in the midst of loss.

Pub Date: May 27, 1997

ISBN: 0-395-52102-5

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1997

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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