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SUSPENSION

Though some stretches of incredibility crop up as this extensive plot unfolds, superb detail and abundant action make this a...

Adman Crabbe wrote his debut novel mostly while commuting on the Staten Island ferry (or so we’re told)—a method that has much to recommend it in this brawny, lavishly detailed detective saga about a Confederate plot to destroy the Brooklyn Bridge when it first opens for business in 1883.

Honest Tom Braddock is the burly heart of the story, as the Irish-American cop and veteran of the bloody days at Gettysburg whose first clue that something is amiss in a routine murder investigation comes when the dead man proves to have a tiny key in his stomach. The man, a worker on the nearly completed bridge between Manhattan and Brooklyn, was also a widower who left behind a young son, a boy whom Braddock comes to care about as the investigation proceeds. But the sympathetic detective has a major conflict in his life that impedes his progress: he's on the take in a city-wide protection scheme run by his precinct captain, a creep whom Braddock is increasingly unwilling to work for. His reluctance imperils his life as well as a good chunk of his supplementary income, and when he starts piecing together the puzzle left by the corpse, there's danger from that quarter as well; he closes in on the plotters, who've had their eyes on him from the beginning—and a lot of practice in eliminating those who stumble on their secret. The Confederate mastermind, Captain Sangree, has nursed a grudge against Washington Roebling, the bridge's builder, ever since they came together at Gettysburg, where Sangree witnessed the death of his courageous younger brother. Although some among his band, having sweated and strained for 13 years in helping construct it, are now loathe to blow it up, they follow orders, and Braddock is in the race of his life without fully knowing why.

Though some stretches of incredibility crop up as this extensive plot unfolds, superb detail and abundant action make this a solid page-turner.

Pub Date: Nov. 17, 2000

ISBN: 0-312-20371-3

Page Count: 480

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2000

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THE CONVERT

Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.

A Christian woman and a Jewish man fall in love in medieval France.

In 1088, a Christian girl of Norman descent falls in love with the son of a rabbi. They run away together, to disastrous effect: Her father sends knights after them, and though they flee to a small southern village where they spend a few happy years, their budding family is soon decimated by a violent wave of First Crusaders on their way to Jerusalem. The girl, whose name becomes Hamoutal when she converts to Judaism, winds up roaming the world. Hertmans’ (War and Turpentine, 2016, etc.) latest novel is based on a true story: The Cairo Genizah, a trove of medieval manuscripts preserved in an Egyptian synagogue, contained an account of Hamoutal’s plight. Hamoutal makes up about half of Hertmans’ novel; the other half is consumed by Hertmans’ own interest in her story. Whenever he can, he follows her journey: from Rouen, where she grew up, to Monieux, where she and David Todros—her Jewish husband—made a brief life for themselves, and all the way to Cairo, and back. “Knowing her life story and its tragic end,” Hertmans writes, “I wish I could warn her of what lies ahead.” The book has a quiet intimacy to it, and in his descriptions of landscape and travel, Hertmans’ prose is frequently lovely. In Narbonne, where David’s family lived, Hertmans describes “the cool of the paving stones in the late morning, the sound of doves’ wings flapping in the immaculate air.” But despite the drama of Hamoutal’s story, there is a static quality to the book, particularly in the sections where Hertmans describes his own travels. It’s an odd contradiction: Hertmans himself moves quickly through the world, but his book doesn’t quite move quickly enough.

Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.

Pub Date: Feb. 4, 2020

ISBN: 978-1-5247-4708-4

Page Count: 304

Publisher: Pantheon

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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THE GIVER OF STARS

A love letter to the power of books and friendship.

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Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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