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AUTUMN IN BROOKLYN

Those familiar with Grayson’s life and work will appreciate the inside look into these formative months.

Three months’ worth of diary entries from a pivotal period in the author’s life and career.

Grayson (The Silicon Valley Diet and Other Stories, 2000, etc.), began keeping a daily dairy in 1969. It’s not entirely clear why he’s decided to publish the entries from this specific time period now, but his first semester teaching at Kingsborough Community College provides something of a narrative arc, and a number of dramatic events occur within these three months–his father’s surgery to remove a facial tumor, the editing of his first collection of short stories and the Jonestown massacre and assassinations of George Moscone and Harvey Milk in San Francisco. Being dropped into the middle of someone’s life is a disorienting experience, and there’s not enough context for many of the names Grayson drops, but a handful take shape as real people: Ronna, the aspiring journalist who wants to keep sleeping with Grayson in spite of his preference for guys; Grandma Ethel, made miserable by the diet designed to keep her cancer in remission; and Rosa, the troubled student who frightens Grayson by lying to his face and then declaring her love for him. But the book is perhaps most intriguing as a portrait of a young man trying to make it as an artist in the 1970s. Almost every day brings acceptances or rejections from magazines with fabulous titles like Nit & Wit, The Smudge and Dirty Linen. Meanwhile, the author name-checks fringe luminaries such as Jonathan Baumbach, Susan Fromberg Schaeffer and Michael Lally. Elsewhere, Grayson worries his friends will think he’s a sellout for signing with the now-hard-to-remember Taplinger Publishing Company. As a writer, the author is known for his stylistic playfulness and irreverent humor, but these diary entries are straightforward and bracingly honest–the young man depicted here is kind, jealous, prickly, ambitious and frightened. Aspiring writers may feel a little less alone after reading this daily catalog of soaring ambitions and crushing doubts.

Those familiar with Grayson’s life and work will appreciate the inside look into these formative months.

Pub Date: N/A

ISBN: 978-0-578-03208-5

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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