by Richard Holcroft ‧ RELEASE DATE: Nov. 26, 2012
A fast-paced investigation, full of mystery and suspense.
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In Holcroft’s debut thriller, a lawyer looks into the murder of his client, a witness who may have spotted an unidentified accomplice in the 1995 Oklahoma City bombing.
In 2011, Dallas attorney Mike Marchetti has only known his newest client, Robert Baker, an agent for the federal Bureau of Alcohol, Tobacco, Firearms, and Explosives, for a few hours before Baker turns up dead, killed in an alleged robbery. It turns out that the agent had a plan for this eventuality, though, leaving Marchetti money to investigate his death. It seems that he was one of 10 people who claimed to have seen an unknown man with Timothy McVeigh more than 15 years earlier, right before the infamous bombing of the Alfred P. Murrah Federal Building. Not only has the FBI failed to locate the mysterious accomplice, but with Baker gone, the original 10 witnesses are now down to four—the others also died in dubious circumstances, including two in separate drive-by shootings. Marchetti and his private-investigator pal Tom Shannon see potential links between McVeigh and various groups, including terrorists and white supremacists. They also suspect a “high-level cover-up,” speculating, among other things, that the explosives at the Murrah Building were considerably more than just a truck bomb. A break-in at his office makes Marchetti believe that his investigation has made him a target himself. This is all but confirmed after two separate attempts on his life. Hopefully, he can stop whoever’s after him before they hurt someone he loves—such as his 10-year-old son, Scott. Holcroft’s taut narrative starts the core mystery off on the very first page, and quickly piles on the suspects and conspiracy theories. The protagonist, meanwhile, has a personal investment in the tale, having lost his younger sister during the 9/11 attacks, and he faces myriad obstacles along the way—including Baker’s daughter, Sheri Baker, whose lawyer demands that Marchetti return the posthumous $20,000 retainer. Instances from the villains’ perspectives primarily highlight specific dangers to Marchetti, but the overall sense of menace gives the story a relentless edge, as if anyone could attack at any time. The ending is both realistic and terrifying: Marchetti does get answers, but only some—and a further threat could very well still exist.
A fast-paced investigation, full of mystery and suspense.Pub Date: Nov. 26, 2012
ISBN: 978-1-4802-8963-5
Page Count: 424
Publisher: CreateSpace
Review Posted Online: Dec. 2, 2016
Review Program: Kirkus Indie
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BOOK REVIEW
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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by Paulo Coelho ; translated by Eric M.B. Becker
BOOK REVIEW
by Paulo Coelho ; translated by Zoë Perry
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SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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National Book Award Finalist
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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