A goofy, flamboyant, and breathless horror adventure by one of the genre’s sharpest creators.
Supernatural agent “Coop” Cooper returns in an overstuffed, hyperkinetic sequel to The Everything Box (2016).
To recap, inveterate thief Coop is a fast-talking criminal making his way through a supernatural substratum of society. Last time around, he saved the world and has now reluctantly been seconded to the Department of Peculiar Science, a Los Angeles–based task force that deals with all things spooky. “I don’t want a desk,” Coop protests. “I’m a crook. Crooks don’t have desks. We have tools and cars and six ways out of town.” The gang’s all here, including Coop’s partner in crime Morty Ramsey, fellow agents Bayliss and Giselle, and a new addition: Dr. Lupinsky, an Egyptologist who got mixed up in some bad juju and is now a half-cat, half cybernetic octopus, as happens sometimes. There’s not much to the plot, carried along as it is by Kadrey’s manic dialogue, phantasmagorical imagery, and the occasional dirty joke, but it’s plenty for fans of this strain of comic horror. Coop’s boss, Woolrich, orders his team on a new mission: “A simple theft. A local museum has a mummy on display. We’d like to have it instead of them.” What sounds like a simple heist quickly becomes mortal danger when they accidentally awaken Harkhuf, an evil mummy imbued with dark magic, which is totally the worst kind of magic, apparently. Harkhuf seeks a powerful amulet and an ancient book to resurrect his queen, Shemetet. (Yes, this is pretty much the plot of the Brendan Fraser movie; it’s a book that name-checks Bubba Ho-Tep, so just go with it.) Other figures in this cavalcade include an undead mailroom manager plotting revenge; a car salesman given to dressing like the Electric Cowboy; and a cop named Jim Rockford, no less. Readers who appreciate restraint may find this cartoonish adventure overwhelming, but those who want a Quentin Tarantino joint crafted with the juvenile humor of Christopher Moore will find themselves in good company.
A goofy, flamboyant, and breathless horror adventure by one of the genre’s sharpest creators.Pub Date: Feb. 28, 2017
ISBN: 978-0-06-238957-2
Page Count: 448
Publisher: Harper Voyager
Review Posted Online: Dec. 6, 2016
Kirkus Reviews Issue: Dec. 15, 2016
SEEN & HEARD
An enjoyable, worthwhile end to an immersive series.
Cerúlia takes back her throne, but her troubles are just beginning in Kozloff’s (A Broken Queen, 2020, etc.) fourth and final Four Realms novel.
It only takes five chapters for Cerúlia to successfully overthrow Matwyck and take her throne. At first it feels a bit pat for a four-book series to resolve its main plotline so early in its final volume, but it turns out there’s more to successfully ruling a kingdom than putting a crown on your head. Queen Cerúlia has to root out the network of people who supported Matwyck’s coup; she must discern which people genuinely wish to serve her and which are liars waiting to end her reign before it gets going. What’s more, she must address political issues like the growing resentment among the common people toward the aristocracy and deal with thorny issues of international diplomacy. All the while, she has to figure out how to finally be herself when she was forced to spend almost her entire life pretending she was not the rightful queen. Kozloff has great instincts when it comes to pacing, and the novel flies by with a good mix of action sequences and emotional, character-developing beats. Her villains are never one-note, and her heroes are complicated and fallible. Still, it all starts to feel a little paint-by-number. It’s not that there are never any consequences or losses, but eventually it feels a bit too certain that Cerúlia will get it right and things will go her way. Even so, the series ender is just as much fun as the rest of the books.
An enjoyable, worthwhile end to an immersive series.Pub Date: April 21, 2020
ISBN: 978-1-250-16896-2
Page Count: 512
Publisher: Tor
Review Posted Online: Jan. 26, 2020
Kirkus Reviews Issue: Feb. 15, 2020
Fans will love the second installment of this dark fantasy about very human characters beset by inhuman dangers.
When the world changes, will you change with it?
A boy who takes pleasure in causing pain meets a monster who can teach him to do much more. A Soulkeeper puts his reputation on the line to stop the abuse of soulless humans—while concealing his relationship with an "awakened" formerly soulless woman. A religious woman given unimaginable power over human souls by a monster struggles to determine right from wrong, faith from blasphemy. In a world where mountains walk, prayers can change the physical world, and magical creatures like talking rabbit-soldiers have awoken from a centurieslong slumber, no choice is simple. The Soulkeeper Devin has chosen to befriend creatures like the faery Tesmarie while his spellcasting brother-in-law, Tommy, believes the newly awakened magical creatures have as much right to the land as humans do. In a time when most humans are reacting with fear and anger to their changing world, seeing the world in shades of gray can be dangerous. Meanwhile, Devin’s sister, Adria, finds that her new powers are testing her faith and bringing up questions she’d rather not confront. As new magical threats to the human population arise, all of these characters will be pushed to their limits, and the decisions they make may determine the fate of humanity. Picking up where Soulkeeper (2019) left off, this second book in a planned trilogy raises the stakes for every character, complicating the moral choices they face. The plot rockets along from one magical battle to the next, but Dalglish deftly weaves in rich character development alongside all this action.
Fans will love the second installment of this dark fantasy about very human characters beset by inhuman dangers.Pub Date: March 17, 2020
ISBN: 978-0-316-41669-6
Page Count: 624
Publisher: Orbit/Little, Brown
Review Posted Online: Jan. 26, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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