Rogue Warrior, a blood-and-guts account of Marcinko's stormy- petrel career as a Navy SEAL, earned its author a top spot on 1992's bestseller lists. He could land on the charts again with this fictive sequel whose profanely opinionated, relentlessly macho, and immensely entertaining narrator is a retired naval commander named Richard Marcinko. Now a freelance operative, Marcinko is testing security at Tokyo's Narita Airport, where he finds that treacherous Americans are supplying Japanese and North Korean buyers with nuclear detonators. The trail appears to lead back to Grant Griffith, a former Defense Secretary who retains considerable clout in Washington as well as with the ailing military-industrial complex. Before Marcinko can bring the influential elder statesman to book, however, he's dragged into a deadly series of turf battles, shootouts, sting operations, and shadow wars. By no coincidence, moreover, he's recalled to active duty by Admiral Pinckney Prescott III, a longtime nemesis who puts him in command of the Red Cell, a unit that's Prescott's own creation. With help from friends in the old-boy network of Special Forces personnel, Marcinko's merry men run wild—on assignment or off—covertly acquiring the high-tech tools of their violent trade, infiltrating laxly guarded bases in the US, and otherwise trying the patience of higher authority. Leaving scores of corpses in their wake, Red Cell stalwarts find time to carry out a reconnaissance/sabotage mission in North Korean waters and to launch a mid-ocean assault (from a stolen aircraft) on a contraband-carrying vessel crewed by black-hat mercenaries. Fast action and advanced weaponry at every turn; in-your-face commentary on the powers that be; a steady stream of imaginatively salty language: What more could any red-blooded, two-fisted, he-man fantasist want?
Pub Date: March 1, 1994
ISBN: 0-671-79956-8
Page Count: 352
Publisher: Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1994
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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