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THE RACE

A satisfyingly self-righteous update of Advise and Consent that reminds you how little American political fiction has...

Patterson (Exile, 2007, etc.), whose Kerry Concannon trilogy already showed one fictional paragon’s run for President (No Safe Place, 1998), trots out another perfect candidate just in time for the 2008 election cycle.

Sen. Corey Grace (R, Ohio), an authentic war hero with Presidential hankerings, is the perfect alternative to Senate Majority Leader Rob Marotta (R, Penn.), a calculating hack, and televangelist Bob Christy, founder of Christian Commitment, who’s convinced the planet’s headed toward a Rapture that certainly won’t include agnostics, gays or Democrats. Slowly, circumspectly, Corey tests the waters, and the voters like him. That’s no surprise, since he always speaks articulately and judiciously, often several paragraphs at a clip. As his campaign trudges through Iowa and New Hampshire to South Carolina, a series of flashbacks reveal the skeletons in Corey’s closet—the error in judgment that killed his navigator in Iraq and won Corey a medal, his dead brother’s closeted homosexuality, his romance with African-American actress Lexie Hart—but while all these revelations threaten Corey’s election, none tarnish his honor. The road to the nomination is arduous, but whenever Corey gets into real trouble, he’s rescued by his iron principles or (twice, amusingly and unforgivably) by providential terrorist attacks that give him a chance to show his mettle. The race, which gives Corey many chances to ventilate his mom-and-apple-pie stances on abortion, birth control, school prayer and godless liberals, is as exciting as Patterson’s ingenuity and melodramatic flair can make it. The characters, however, are strikingly less original. Even the most casual Monday-morning political analysts will have no trouble seeing through the shamelessly thin fig leaves meant to cover figures based on Colin Powell, Karl Rove, Pat Robertson, Rupert Murdoch, Rick Santorum and Jim McGreevey.

A satisfyingly self-righteous update of Advise and Consent that reminds you how little American political fiction has changed over the past 50 years.

Pub Date: Oct. 30, 2007

ISBN: 978-0-8050-7948-7

Page Count: 352

Publisher: Henry Holt

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2007

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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