by Richard Sharp ‧ RELEASE DATE: Dec. 27, 2012
An engaging and atypical Reconstruction-era saga.
Sharp’s historical novel follows a 19th-century Missourian as he spends decades searching for the meaning of life, finding and losing love along the way.
Teenager William Ebhart yearns for action. Too young to take part in the Civil War, he watched it unfold from the sidelines; his father died fighting in the Confederate army. William, feeling shackled by his family’s tragedies, decides to leave home, and he falls in love with a gorgeous-but-jaded prostitute, joins a traveling medicine show, inadvertently helps a notorious group of outlaws rob a bank, loses the girl to a wealthier man, and returns home—all in the first 75 pages of Sharp’s (Jacob’s Cellar, 2012, etc.) epic novel. The rest of the book maintains the swift pace, as William goes on to marry a (seemingly) nice girl, become a father, and learn Shakespeare. After his wife abandons him, he masters a respectable trade as a lamplighter and reunites with the prostitute. Later, he takes back his wife and almost dies of yellow fever. The story is never dull, but readers may find that Sharp is too generous with plot teasers, revealing points that might have been more enjoyable if withheld. He provides plenty of forthright details about each character’s inner workings, and as William grapples with his past and toys with his future, he analyzes the meanings of faith, truth and morality. Such philosophical meanderings, along with references to Shakespeare’s play The Winter’s Tale, elevate this story, although the frequent typos detract. Sharp also sprinkles in real-life characters and events without it ever seeming contrived; for example, famous outlaws Jesse and Frank James pop in and out of the narrative, and William spends the latter part of the book working in Panama during France’s ill-fated canal construction in the 1880s.
An engaging and atypical Reconstruction-era saga.Pub Date: Dec. 27, 2012
ISBN: 978-1480036406
Page Count: 268
Publisher: CreateSpace
Review Posted Online: Feb. 7, 2013
Review Program: Kirkus Indie
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Madeline Miller ‧ RELEASE DATE: April 10, 2018
Miller makes Homer pertinent to women facing 21st-century monsters.
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New York Times Bestseller
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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