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Drapers Forge

An illuminating novel about westward expansion in North America in the late 18th century, marred by uneven prose.

American frontier settlers fight off British and Native American attackers in 1774 and 1775.

In this debut historical novel, Sims relates the story of Jacob Horn and other hardy American settlers in Kentucky. While searching for a stray cow, Jacob discovers a small Native American war party escorting three white prisoners back to a Shawnee village. The young frontiersman kills the four warriors, frees the captives, including the comely young Adelia, and takes them back to Drapers Forge, a large fort and settlement on the frontier. A romance buds between Jacob and Adelia, but all is not well. Attempting to carry out the British strategy of halting American westward expansion, Col. Charleton arrives outside the gate with a cannon, troops, and Shawnee allies. The Brits lay siege to the fort, but the stalwart defenders wound many cannoneers. Failing to fully breach the fort’s walls with his cannon, Charleton orders an assault but inexplicably commands his troops to mow down their Shawnee associates in the initial attack. Charleton is later captured, tortured, and killed by surviving Native Americans, and his remaining soldiers switch sides and help the Americans hold off another Shawnee attack. Will Jacob, who is wounded a couple of times, survive? Sims has produced a novel that gives an idea of what life on the American frontier was like. His descriptions of historical guns and military tactics are acute, but his amateurish writing style tarnishes the work. The book contains many spelling errors, especially with homonyms such as might/mite, dear/deer, and pallet/palate. The prose tends to wordy constructions (like “a period of time”) and clichés: characters are prone to breathing “a sigh of relief.” His portrayal of “sinister” Native Americans remains stereotyped: the stoic chief Yellow Eye smiles “evilly to himself.” Dialogue can be as hackneyed as a dated Western movie: “Real quiet, almost too quiet,” one frontiersman intones, and a Dutch immigrant speaks in an annoyingly transcribed accent: “Iss gut.” Some passages are simply unbelievable, such as Jacob singlehandedly slaying four Native American braves or Charleton attacking his Shawnee allies.

An illuminating novel about westward expansion in North America in the late 18th century, marred by uneven prose.

Pub Date: N/A

ISBN: 978-1-4951-9308-8

Page Count: -

Publisher: CreateSpace

Review Posted Online: Oct. 18, 2016

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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