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JERRY LEE LEWIS

HIS OWN STORY

From a skilled storyteller comes this entertaining, sympathetic story of a life flaring with fire, shuddering with shakin’.

An iconic rocker receives a warm, admiring biography from a Pulitzer Prize–winning journalist and author.

Lewis, born in 1935 (delivered by his father) and among the few remaining stars from the early days of rock ’n’ roll, cooperated eagerly—if not always accurately—with Bragg (The Most They Ever Had, 2011, etc.), now a professor (Writing/Univ. of Alabama). The author begins with Lewis’ earliest memory about the piano, the instrument he would ride into the Rock and Roll Hall of Fame, and throughout this account of a most raucous life, the author returns to remind us of Lewis’ enormous gifts as a pianist and showman. He began playing at an early age and has not quit, arthritis and decay notwithstanding. Among his fans and friends were Elvis Presley (who coaxed Lewis into playing for hours on end) and other luminaries of the era, from Buddy Holly to Johnny Cash. Bragg gives us lots of family history (Mickey Gilley and evangelist Jimmy Swaggart are cousins) and offers a gripping account of Lewis’ early struggles in the music world, when he would sneak into bars to watch and listen, playing nameless places for endless hours, then finally getting a break at Sun Records and his two biggest hits, “Whole Lotta Shakin’ Goin’ On” and “Great Balls of Fire.” Bragg admirably charts Lewis’ yo-yo life: seven marriages (including one to a teenage first cousin), wealth and penury and wealth again, run-ins with the law (drunk and armed, he rammed his car into the gate at Elvis’ Graceland), and battles with substance abuse (Lewis claims not to have been as big a drinker as rumor insists). Throughout, Bragg displays his characteristic frisky prose. When Lewis played, he writes, “the girls bit their lips and went against their raisin’.”

From a skilled storyteller comes this entertaining, sympathetic story of a life flaring with fire, shuddering with shakin’.

Pub Date: Oct. 28, 2014

ISBN: 978-0062078223

Page Count: 512

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 8, 2014

Kirkus Reviews Issue: Oct. 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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