Affectionate, funny, and beautifully written: a book for every fan of real food.
Heartfelt, often hilarious stories from an Alabama kitchen, a place from which issue wondrous remembrances and wondrous foods alike.
Pulitzer Prize–winning writer Bragg (My Southern Journey: True Stories from the Heart of the South, 2015, etc.) matches the tales he assembled about his father in The Prince of Frogtown (2008) with an equally rough-and-tumble collection of folk wisdom served up courtesy of his mother, who “cooked for people she’d have just as soon poisoned, and for the loves of her life.” There’s an aching nostalgia throughout, not just for years gone, but also for a way of life that seems to have faded away, a Southernism of which “our food may be the best part left.” It’s a food that African-Americans call “soul food” because it transcends bodily pain and torment and, Bragg writes, offers “a richness for a people without riches.” Over the course of this long narrative, the author’s mother turns over the stage to other relatives, and webs of stories are spun, to say nothing of well-observed notes on old-fashioned Southern foodways: raccoon is stinky, snapping turtle is sometimes eaten, “but that, too, is complicated,” and tomatoes are to be cherished if you can find one that tastes like a tomato, to say nothing of a chicken that tastes like a chicken. Bragg’s mother is a worthy guide throughout, unyielding in her judgment: “Use brown eggs when you can get ’em,” she warns. “They’re more like real eggs.” In this inauthentic world, there’s nothing like some comfort food: greens, grits with just a little hint of cheese, fried chicken, and black-eyed peas—not to mention ham and redeye gravy (“smoked ham steaks can be used as a shortcut, if you are a Philistine”), government cheese, fried bologna sandwiches, and fried okra (not battered, since it “defeats the purpose of fresh food”).
Affectionate, funny, and beautifully written: a book for every fan of real food.Pub Date: April 24, 2018
ISBN: 978-1-4000-4041-4
Page Count: 512
Publisher: Knopf
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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