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THE SHANTYMAN

A fabulously gripping sailor’s yarn.

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With eloquent accuracy, Spilman’s novel captures the life of a 19th-century sailor.

Bill Doerflinger is a young archivist wishing to record old sea shanties sung by a few aging sea captains and their mates. In October 1938, he travels to the Staten Island home of 85-year-old Capt. George “Georgie” Anderson, who recounts a fantastical tale. In 1870, at age 17, he sailed from New York to Australia and back in the medium clipper Alhambra. The journey begins under the command of Capt. Josiah Adams, who leads a motley crew of complex characters. The most fascinating of the common seamen is an enigmatic drunk named Jack Barlow. When Capt. Adams falls ill and dies, the ship faces all manner of turmoil, from rumblings of mutiny to the terrifying roar of a hurricane. As tensions on board increase, Barlow proves far more astute than he first appears. Meanwhile, the naïve Georgie is beginning to find his “sea legs” with the help and hindrance of his crew. The novel carefully charts the young man’s intellectual and moral development. His initial sense of awe, along with the precarious nature of life at sea, is captured with an effortless grace: “When the sun was shining, the endless progression of the Southern Ocean graybeards was breathtaking—rolling mountainous peaks, thirty and forty feet high and long, with low valleys between. The wave tops were ten feet of boiling foam while the waves themselves were mighty beasts seemingly ready to devour us, just about to overwhelm the ship, until the fine lady Alhambra lifted her skirts and rose up.” A profound understanding of nautical terminology and procedure is also evident, yet the author is careful not to confuse readers who don’t know a “crojack” from a “spanker.” Eager to educate, the book also contains a comprehensive glossary, a rigging diagram, and an essay on the history of the sea shanty. Spilman’s colorful, well-researched novel will enthrall both sailing enthusiasts and landlubbers.

A fabulously gripping sailor’s yarn.

Pub Date: Feb. 19, 2015

ISBN: 978-0994115232

Page Count: 238

Publisher: Old Salt Press

Review Posted Online: May 26, 2015

Kirkus Reviews Issue: July 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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