A fabulously gripping sailor’s yarn.

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THE SHANTYMAN

With eloquent accuracy, Spilman’s novel captures the life of a 19th-century sailor.

Bill Doerflinger is a young archivist wishing to record old sea shanties sung by a few aging sea captains and their mates. In October 1938, he travels to the Staten Island home of 85-year-old Capt. George “Georgie” Anderson, who recounts a fantastical tale. In 1870, at age 17, he sailed from New York to Australia and back in the medium clipper Alhambra. The journey begins under the command of Capt. Josiah Adams, who leads a motley crew of complex characters. The most fascinating of the common seamen is an enigmatic drunk named Jack Barlow. When Capt. Adams falls ill and dies, the ship faces all manner of turmoil, from rumblings of mutiny to the terrifying roar of a hurricane. As tensions on board increase, Barlow proves far more astute than he first appears. Meanwhile, the naïve Georgie is beginning to find his “sea legs” with the help and hindrance of his crew. The novel carefully charts the young man’s intellectual and moral development. His initial sense of awe, along with the precarious nature of life at sea, is captured with an effortless grace: “When the sun was shining, the endless progression of the Southern Ocean graybeards was breathtaking—rolling mountainous peaks, thirty and forty feet high and long, with low valleys between. The wave tops were ten feet of boiling foam while the waves themselves were mighty beasts seemingly ready to devour us, just about to overwhelm the ship, until the fine lady Alhambra lifted her skirts and rose up.” A profound understanding of nautical terminology and procedure is also evident, yet the author is careful not to confuse readers who don’t know a “crojack” from a “spanker.” Eager to educate, the book also contains a comprehensive glossary, a rigging diagram, and an essay on the history of the sea shanty. Spilman’s colorful, well-researched novel will enthrall both sailing enthusiasts and landlubbers.

A fabulously gripping sailor’s yarn.

Pub Date: Feb. 19, 2015

ISBN: 978-0994115232

Page Count: 238

Publisher: Old Salt Press

Review Posted Online: May 26, 2015

Kirkus Reviews Issue: July 1, 2015

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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