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EVENING GRAY MORNING RED

A skillful blend of big-picture history and nautical adventure.

In early 1770s Colonial America, a young sailor’s promising sailing career is derailed as colonists clash with their British rulers in Spilman’s (The Shantyman, 2015, etc.) latest historical novel.

When the captain of the brig Mary Ellen dies at sea, 16-year-old Thomas Larkin is the only man onboard who knows how to navigate, so it’s up to him to bring them safely home into Boston harbor. It’s no easy feat, and his success gets him noticed by the ship’s owner, John Brown, who offers him a position as chief mate on a vessel bound for the Indies. But as he celebrates the job offer with his friend John Stevens in a local tavern, he’s unexpectedly impressed into the British Royal Navy—kidnapped and forced to serve onboard the man-of-war HMS Romney, under the command of the cruel Lt. William Dudingston. Determined to help his young friend escape, Stevens enlists voluntarily, and he and Larkin eventually make a daring break for the Dutch island of St. Eustatius during a hurricane. Meanwhile, tensions mount between the British and the American colonists as the latter grow more outraged by the injustice of impressment, corrupt customs officials, and oppressive taxes. Larkin finds himself embroiled in his countrymen’s fight as he plans revenge on Lt. Dudingston. Meanwhile, he also pursues Brown’s lovely daughter, Angela. Spilman’s prose is vivid and assured: “The air swirled with a maelstrom of smells—of tar and drying cod, coffee, tobacco, and horse manure, rum, chamber pots, cooking and low tide.” His depth of research shows on every page, yet it never feels as if he’s showing off. Larkin’s shipboard life of jibs and mizzenmasts and fo’c’sles is ordinary to him, and in Spilman’s hands, such nautical details never become tedious; instead, they bring Larkin’s world into three dimensions. It’s a world that also includes slavery, and although the novel doesn’t avoid the topic, it should be noted that only white characters discuss it—and then only generally about whether they’re for or against it.

A skillful blend of big-picture history and nautical adventure.

Pub Date: Oct. 15, 2017

ISBN: 978-1-943404-19-3

Page Count: 340

Publisher: Old Salt Press

Review Posted Online: Dec. 12, 2017

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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