It’s been a good year for the dark and satanic Marquis, what with a major biography and translations of his short stories and letters from prison—and now this fetchingly perverted novel from America’s answer to Angela Carter (and perhaps Isak Dinesen), the author of such baroque fiction as The Complete Butcher’s Tales (1994) and Phosphor in Dreamland (1995). The story initially focuses on the trial of the eponymous artisan who’s corresponded with Sade during his imprisonment (as an aristocrat targeted by the Revolution), provided erotically illustrated artifacts made to his order (flagellation is a favorite theme), and collaborated with him on a scurrilous little volume detailing the swath cut through the Mayan culture of Mexico’s Yucatan peninsula by (Spanish) Bishop Landa, a murderous missionary resolved “to pacify the Indians and bring them to the Light of Christ”). In the increasingly declamatory second half, Sade himself offers a witty maledictory cataloguing of his own physical failings (“teeth as untrustworthy as dice, an anus with a mind of its own—) and his ego-driven espousal of unfettered freedom of expression (his wish “to embrace the immense disorder of voluptuousness”). There’s rather more detailed information about the craft of fan-making than most readers will require, and Ducornet does employ her characters—besides Sade and fan- maker Gabrielle, her intellectual soulmate and lover, feminist playwright Olympe de Gouges—as mouthpieces for the claims of individual freedom from convention and repression. But the novel is filled with amusingly irreverent stories within stories, such as Sade’s miscellaneous contrary accounts of his birth and upbringing, and Bishop Landa’s cautionary tale of how a disguised Satan tempted angels out of heaven, causing God to banish them and curse womankind forever. Elegant jaded entertainment. Readers who aren’t immediately glutted, and persevere through the calculated blasphemies and obscenities, will gratefully savor the fruits of Ducornet’s hothouse imagination.
Pub Date: Nov. 4, 1999
ISBN: 0-8050-5926-1
Page Count: 192
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1999
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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