A flat novel with an interesting structure.
Jbara (Kahraman, 2009, etc.) tells the story of a female photographer in India searching for fulfillment in this fragmentary novel.
Shamyana’s father abandoned the family when she was young, and her relationship with her mother has always been distant. In high school, she discovers photography when her best friend, Shyam, shows her his new camera. Shyam makes his secret feelings for Shamyana known, and the two marry after graduation. Despite his conservative family, Shyam encourages Shamyana to pursue photography, which she sees as a way to access her confusing inner life. “My dream is to let the people see the world through my lens,” she says, to which he replies, “I have faith that you will succeed one day.” The young photographer eventually finds the marriage too constraining for her ambitions, and Shyam agrees to an amicable split. On a trip to Goa, she meets a hotel owner named Rohan with whom she senses immediate chemistry. A new friend sets her up with corporate shoots and magazine features, and her career burgeons. She gets mixed signals from Rohan, however, and when another man expresses interest in her, she marries him. But is it what she wants? Her nervous breakdown suggests otherwise. Jbara tells Shamyana’s story in a series of microchapters, many only a paragraph long. While some depict scenes or dialogue that advance the plot, others are lyrical snippets of the protagonist’s thoughts; from the chapter “Ignite Fire”: “This route is too confining for me to slither. I feel my senses ignite fire. That is seething in my soul. I was unable to be me. I repositioned myself. I felt my body incite fire. That is raging in my body. I can’t be me. I can’t be them.” Despite these windows of interiority, many characters and events feel stilted or flat, and Shamyana’s story elicits surprisingly little emotional investment from the reader. While the novel’s structure is ambitious and original, it’s not used effectively. Shamyana’s true self should be more accessible, and yet by the end of the novel, she still feels like a stranger.
A flat novel with an interesting structure.Pub Date: May 22, 2017
ISBN: 978-1-4505-3186-3
Page Count: 167
Publisher: AuthorHouse
Review Posted Online: Dec. 28, 2018
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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