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THE FOURTEENTH OF SEPTEMBER

An often fresh take on the collegiate anti-war movement in small-town America.

In this debut novel, a college student on a U.S. Army nursing scholarship joins the anti–Vietnam War movement.

It’s Sept. 15, 1969, the day after Judy Talton’s 19th birthday and the day that she decides to change her path. At Central Illinois University’s student union, she sits with the radical students for the first time. After an argument between anti-war protest leader David and the ROTC kids, Judy is approached by Vida, who says she’s been watching her hanging out on the group’s fringes. Other members of the radical group emerge, including Wil, whose birthday is also Sept. 14 (which becomes important later). The group is pushing a petition supporting anti-war political-science professor Swanson, who’s in jeopardy of losing his job. There’s also anxiety about the upcoming draft lottery, which is scheduled to happen right after Thanksgiving. Instantly, Judy is swept up in the movement and takes part in the “Moratorium” event (a national day of protest against the war) and then a march in Washington, D.C. But through it all, Judy tries to keep a low profile, as protesting the war could result in her having to pay the Army back for her scholarship; she also goes to great pains to keep her Army connection a secret from her new friends. The conflict intensifies throughout the novel, particularly when Judy decides to go to Washington, which makes her AWOL: a criminal offense. Throughout, the author does a fine job of complicating and building Judy’s dilemma. The divide between Judy’s old life and her new one continues to cause her angst, which ramps up the tension regarding her various choices. What isn’t made clear, however, is why Judy initially decides to risk her scholarship, which she very much needs, in order to join the radical group. This is a symptom of a larger issue, which is the fact that Judy’s motivations are unclear, even to Judy—which, in turn, may make it difficult for readers to understand her. Still, she makes a sacrifice in a finale that’s well-crafted, surprising, and inevitable.

An often fresh take on the collegiate anti-war movement in small-town America.

Pub Date: Sept. 18, 2018

ISBN: 978-1-63152-453-0

Page Count: 377

Publisher: She Writes Press

Review Posted Online: March 27, 2018

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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