A riveting, intimate look deep inside the machinery of the executioner.
Harrowing personal reflections by the Cambodian French filmmaker of surviving the Khmer Rouge as a young teenager.
Rithy Panh’s film S21: The Khmer Rouge Killing Machine explored the stories of the prisoners and their torturers from the notorious Security Prison 21, in Phnom Penh, from 1975 to 1979, yet it was only recently that he was able to interview the feared commander of the prison, known as Comrade Duch. In this work, Rithy Panh uses selections from his chilling interviews with Duch as a frame for the author’s own traumatic memories of being driven from his home with his family by the Khmer Rouge in 1975, one day before his 13th birthday. Evacuated to the countryside by the Khmer Rouge, the author, his father (serving then as an undersecretary of education), mother and younger siblings were branded “new people” by the regime—i.e., “oppressors who were to be reeducated in the countryside—or exterminated.” Moving around squalid transit camps and cooperative housing, suffering increasingly from starvation and disease, the family was stricken one by one until only the author was left to fend for himself, “a starveling, an eater of scraps,” in hospitals or camps, indoctrinated into the vicious ways of the Khmer Rouge yet able to squeak by until the Vietnamese liberation in 1979. Alternating with these memories are commentaries by the mocking and philosophical Duch, an exquisite administrator who “put the language of slaughter down on paper” and ran his torture prison like a tight ship. A technician of the revolution, as Duch considered himself, he calmly informed the filmmaker that “the Khmer Rouge were all about elimination. Human rights didn’t exist.”
A riveting, intimate look deep inside the machinery of the executioner.Pub Date: Feb. 12, 2013
ISBN: 978-1-59051-558-7
Page Count: 300
Publisher: Other Press
Review Posted Online: Nov. 5, 2012
Kirkus Reviews Issue: Dec. 1, 2012
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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