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THE ELIMINATION

A SURVIVOR OF THE KHMER ROUGE CONFRONTS HIS PAST AND THE COMMANDANT OF THE KILLING FIELDS

A riveting, intimate look deep inside the machinery of the executioner.

Harrowing personal reflections by the Cambodian French filmmaker of surviving the Khmer Rouge as a young teenager.

Rithy Panh’s film S21: The Khmer Rouge Killing Machine explored the stories of the prisoners and their torturers from the notorious Security Prison 21, in Phnom Penh, from 1975 to 1979, yet it was only recently that he was able to interview the feared commander of the prison, known as Comrade Duch. In this work, Rithy Panh uses selections from his chilling interviews with Duch as a frame for the author’s own traumatic memories of being driven from his home with his family by the Khmer Rouge in 1975, one day before his 13th birthday. Evacuated to the countryside by the Khmer Rouge, the author, his father (serving then as an undersecretary of education), mother and younger siblings were branded “new people” by the regime—i.e., “oppressors who were to be reeducated in the countryside—or exterminated.” Moving around squalid transit camps and cooperative housing, suffering increasingly from starvation and disease, the family was stricken one by one until only the author was left to fend for himself, “a starveling, an eater of scraps,” in hospitals or camps, indoctrinated into the vicious ways of the Khmer Rouge yet able to squeak by until the Vietnamese liberation in 1979. Alternating with these memories are commentaries by the mocking and philosophical Duch, an exquisite administrator who “put the language of slaughter down on paper” and ran his torture prison like a tight ship. A technician of the revolution, as Duch considered himself, he calmly informed the filmmaker that “the Khmer Rouge were all about elimination. Human rights didn’t exist.”

A riveting, intimate look deep inside the machinery of the executioner.

Pub Date: Feb. 12, 2013

ISBN: 978-1-59051-558-7

Page Count: 300

Publisher: Other Press

Review Posted Online: Nov. 5, 2012

Kirkus Reviews Issue: Dec. 1, 2012

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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