A smart, gritty political-conspiracy thriller.
In this finale to Lubitz’s (Beyond Top Secret, 2015, etc.) trilogy, the identities of two amnesiacs come into question as a secret group plans to unleash a powerful mind-control drug.
Bill and Cheryl Parker happily live in the secluded paradise of Hawaii’s Molokai island. Several years earlier in Colorado, a car accident left Bill in a coma and Cheryl with brain trauma, effectively shrouding their past lives in a fog. One day, an earthquake strikes the island, and the Parkers nearly die. In Washington, D.C., Beltway Insider reporter Connie Blythe sees Cheryl in disaster footage and believes that she’s a woman named Alana Shannon. More than two years earlier, Alana, a former men’s-magazine model, shot and killed her husband, a real estate magnate; she claimed self-defense, the murder charge was dropped, and she disappeared. Further research convinces Connie that Bill is actually a man named Ryan Butler. When Blythe confronts them, they deny being anyone other than the Parkers. Blythe doesn’t give up, however, as she’s sure that the pair can aid her investigation of warmongering U.S. Rep. Steven Luke of Missouri, the central figure in a plot to use a hypnosis drug to subvert the White House and manipulate the war on terror. In this swift final volume of his series, Lubitz, a former senior official at the U.S. Department of Justice, brings an insider’s perspective to his narrative, set in the immediate years after the 9/11 attacks. At one point, for example, a seasoned agent tells a younger one about President George W. Bush’s CIA: “These new guys are vicious sharks, and if you submit to their methods, they will destroy you and the agency.” Some characters will stop at nothing to achieve their goals, and the author effectively uses terse, chilling dialogue to get this across. For instance, a former KGB agent uses a fake persona to reel in a target; later, when the woman asks why she can’t speak with “Mr. Tyman,” he answers, “Because Mr. Tyman doesn’t exist.” Fans of the series, as well as newcomers, will also enjoy the protagonists’ optimism in the face of governmental corruption and global chaos.
A smart, gritty political-conspiracy thriller.Pub Date: March 20, 2017
ISBN: 978-0-692-85566-9
Page Count: 278
Publisher: Twist of Fate Press
Review Posted Online: April 26, 2017
Kirkus Reviews Issue: June 1, 2017
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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