An impressive bit of literary journalism and a sympathetic look at a vanished era.

THE LAST BOHEMIA

SCENES FROM THE LIFE OF WILLIAMSBURG, BROOKLYN

The rise and fall of the ultimate hipster enclave as seen through the eyes of a heartbroken survivor.

In the early 1990s, when few were paying attention and the rest of the borough’s demographic still reflected years of white flight, droves of skinny Caucasians started a surprising reverse migration into an even more forsaken part of the borough to the north called Williamsburg. The costs of this new kingdom were grungy hovels and the occasional dark-corner knife attack—an easy bargain for wild American youths high on big-city dreams. Many of Anasi’s (Literary Journalism/Univ. of California, Irvine; The Gloves: A Boxing Chronicle, 2002) cohorts reveled in their cracked concrete cocoons, sheathed from the perceived banalities of the inauthentic wider world outside Williamsburg. Most were flat broke, but awash in a tide of easy sex, drugs and music. The party would not last long, however. The high-rise building boom that billionaire Mayor Michael Bloomberg later unleashed on the city decimated Brooklyn’s stoop-side culture, and this time forgotten Williamsburg was included on the hit list. Left to lament the uncanny transformation and the passing of his youth, the author found himself roaming Williamsburg’s sanitized waterfront as a literary wraith intent on reanimating the untamed lives of those he once knew. With a fine ear for dialogue and a nonjudgmental eye, Anasi conjures the pre-9/11 atmosphere of the place, in which the beer flowed like water and there was always a place to crash after a night of pub crawling.

An impressive bit of literary journalism and a sympathetic look at a vanished era.

Pub Date: Aug. 14, 2012

ISBN: 978-0-374-53331-1

Page Count: 256

Publisher: Farrar, Straus and Giroux

Review Posted Online: June 17, 2012

Kirkus Reviews Issue: July 1, 2012

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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Not an easy read but an essential one.

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HOW TO BE AN ANTIRACIST

Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.

In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.

Not an easy read but an essential one.

Pub Date: Aug. 13, 2019

ISBN: 978-0-525-50928-8

Page Count: 320

Publisher: One World/Random House

Review Posted Online: April 28, 2019

Kirkus Reviews Issue: May 15, 2019

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