by Robert Andrews ‧ RELEASE DATE: Sept. 1, 2004
A cross between a made-for-TV movie and a grade-B thriller from Andrews (A Murder of Promise, 2002, etc.), who knows his way...
A closed case is reopened when a new murder indicates justice was not merely rushed but blind.
Detectives Kearney and Phelps, the backbone of DC Homicide for the past 25 years, catch a true puzzler. Why did the bullet that tore through drug kingpin Skeeter Hodges and wounded his pal Pencil have Pencil’s fingerprints on it? And why did it come from the same gun that killed Senate chairman Rhinelander’s chief of staff Kevin Gentry two years before and then vanished? If Gentry was in the drug trade with Skeeter, then who offed Pencil in a later incident? The case is tossed around like a football. Kearney and Phelps’s boss Randolph Emerson wants to appoint a task force; the CIA wants in; the FBI wants a piece of the action; and the media wants someone, anyone, who can make Watergate-like headlines. Gentry, it seems, was not a bad guy but a former CIA agent running snitches who ratted on several Colombian drug cartels, and the threat of international miscreants means a free-for-all for jurisdiction. There’ll be more murder past and future and a car bomb meant for Kearney before two Beltway players are eased into retirement, another into handcuffs, a third into utter disgrace, and a poor old soul into a dying confession.
A cross between a made-for-TV movie and a grade-B thriller from Andrews (A Murder of Promise, 2002, etc.), who knows his way around Washington, even around Congressional roadblocks.Pub Date: Sept. 1, 2004
ISBN: 0-399-15039-0
Page Count: 284
Publisher: Marian Wood/Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2004
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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