by Robert B. Oxnam ‧ RELEASE DATE: Oct. 1, 2005
While the fanciful imagery employed by Oxnam may give his story greater impact, it will not authenticate it for skeptics who...
Memoir may not quite be the word to describe this account, which is presented as the work of several personalities, each speaking for him or herself.
The principal narrator, Robert, is the dominant personality, but this was not always so, according to Oxnam, an Asia specialist and business consultant who asserts that for some 30 years, another personality, Bob, was dominant. Memory blackouts, bizarre behaviors and alcoholism led him in 1989 to Dr. Jeffrey Smith, a psychiatrist with some experience with multiple personalities. Oxnam began twice-a-week sessions with the psychiatrist, who in mid-1990 told him that he had multiple personality disorder (MPD, now renamed dissociative identity disorder, or DID) after a session in which an alternate personality, Tommy, an angry adolescent boy, emerged. As their sessions continued, other so-called alters—Young Bob, Robbey, Robert, Witch, Eyes, Lawrence, the Librarian, Baby and Wanda—all trapped inside separate parts of a dark castle, appeared. Labels identify which section of the narrative comes from which voice. Although Oxnam’s childhood memories were initially vague, under therapy he recovered memories of early, ugly abuse. In MPD theory, dissociation is a method of coping with the trauma of such abuse. Through long therapy, Oxnam gradually freed the alters from the castle and achieved partial integration of the personalities. By the end, three of the alters—Bobby, Wanda and Robert—remain separate, but have worked out a “collaborative multiplicity,” with Bobby providing his youthful energy, Wanda her internal incisiveness and outer perceptiveness and Robert his drive. Oxnam weaves into this psychological narrative stories of trials and triumphs from his professional life, which include dealings with Bill Gates, Warren Buffet and the first President Bush, and scenes from his marriage to a remarkably understanding woman.
While the fanciful imagery employed by Oxnam may give his story greater impact, it will not authenticate it for skeptics who question either the existence of MPD as a genuine mental disorder or the legitimacy of recovered memories.Pub Date: Oct. 1, 2005
ISBN: 1-4013-0227-0
Page Count: 304
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2005
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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