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APPALOOSA

Wonderful stuff: notch 51 for Parker.

If Spenser and Hawk had been around when the West was wild, they’d have talked like Cole and Hitch.

The dialogue shines with a Western drawl in this admirably plotted change of pace from Parker (Double Play, 2004, etc.). Virgil Cole and Everett Hitch ride into Appaloosa, Colts slung serviceably low, and are instantly spotted for what they are: town tamers. “They’re living off us like coyotes off a buffalo carcass,” complains the Appaloosa establishment, meaning a ruthless no-good named Randall Bragg and the hands he employs on his ranch. Their sins include whisky and food consumed but never paid for, horses “borrowed” and not returned, women commandeered whenever. More recently, the marshal and one of his deputies were gunned down in cold blood. Do Cole and Hitch want to replace them? “It’s what we do,” says Hitch. Marshal Cole and Deputy Hitch then set about posting their rules, the same rules that had transformed Gin Springs, for instance, from a wide-open hellhole to a paradigm of civic virtue. Check your firearms at the town limits, Bragg and his hard-cases are ordered. They obey, though of course it requires a tactical killing or two before the rules are accepted as binding. Enter Mrs. Allison French, a woman more beautiful and more complex than is good for the general peace. Cole is smitten—and awed. “Takes a bath every evenin,” he tells his partner. Having seen more of the world than the parochial Cole, West Point graduate Hitch is cautious. Does a dangerous seductress lurk behind the fetching façade? Into town ride the Shelton brothers, quick, mean gunmen several notches above the ordinary. Bragg reappears in the guise of a community booster: slick, plausible and dazzling to short memories. Pervading it all is the winsome widow lady’s private agenda.

Wonderful stuff: notch 51 for Parker.

Pub Date: June 2, 2005

ISBN: 0-399-15277-6

Page Count: 320

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2005

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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