Goes on a bit after that climactic showdown, which is probably a mistake. But for the most part the action bristles, the...


It’s those lead-slinging Earps—revisited and revitalized—strapping it on again in Parker’s first western.

Somewhat revamped, too, inasmuch as Wyatt and Virge, facing the Clantons at the world’s most famous corral, talk a lot like Spenser and Hawk (Potshot, p. 209, etc.). But how bad is that, pardner? The time is 1879, and the Brothers Earp—Wyatt, Virgil and Morgan—find themselves cash poor and in need of greener pastures. So, womenfolk in tow, they abandon Dodge for Tombstone (Arizona), where they have reason to believe the action is. They’re right, but it comes with complications, most of them embodied in the lissome form of showgirl Josie Marcus. As any Earp scholar can tell you, she’s Wyatt’s “dark lady.” Having once caught her act in that cowboy favorite “Pinafore on Wheels,” he’s completely smitten, hopelessly aware that wherever she goes, he goes. (“We have to be together,” he tells her.) At the moment, however, she belongs to silky-smooth, double-dealing Sheriff Johnny Behan—though not for long. And thereby hangs most of Parker’s tale. Because in this version, Behan bereft becomes Iago-like in his reptilian conniving. It’s Behan who fills Ike Clanton’s microbrain full of fantasies, among them the delusion that the Clantons can match up with the Earps. It’s Behan who manipulates Tombstone’s cowboys into believing the Earps are black-hearted carpetbaggers, greedy and ambitious at their expense. Behan wants Josie back no matter the cost. Wyatt intends to keep her no matter the cost. At the fateful OK, then, when the guns play their rhapsody and men fall, perhaps only Behan and Wyatt truly grasp the iron logic of cause and effect.

Goes on a bit after that climactic showdown, which is probably a mistake. But for the most part the action bristles, the talk is excellent, and the characters hold you: a much better than OK ride.

Pub Date: June 4, 2001

ISBN: 0-399-14762-4

Page Count: 304

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 2001

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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