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BONEYARDS

Downbeat, pungent slice of crooked-cop life, circa 1977 Chicago—and a rare nonseries outing for Campbell (the Jimmy Flannery novels: In a Pig's Eye, etc.; the Whistler novels: Sweet La-La Land, etc.). Sergeant Ray Sharkey is an archetypally bent cop—16 years on the force, ``his innocence...lost and gone forever,'' a savvy Irish loner protecting his many crooked deals by knowing how to show local pols a good time: ``the City Hall Pimp,'' he's called behind his back. But time's running out on Ray. A mayoral election is approaching, and the likely winner, known here only as ``the Candidate,'' thinks Ray will make the perfect target for an anticorruption campaign. And Ray's personal life is headed for the rocks, too—his cancer-stricken wife, whose medical bills drove him on the pad years ago, is near death; his redheaded beauty of a sister, Wilda, whose body he secretly craves, is breaking all the rules by hanging out with black musicians; and he himself, a racist born and bred, has tumbled into a nightmare of lust by falling for Roma Chounard, a black whore loaned him by top pimp Jasper Tourette. Still, as always, Ray needs money and can't resist a $5,000 payoff to get his brother, a judge, to throw a case—even though Ray knows that the deal's a sting orchestrated by the Candidate. And then there's the corpse found beaten to death in a fleabag hotel, with clues pointing toward Tourette and maybe even the Candidate himself. Using all his street smarts, Ray finesses the payoff and solves the murder, but he can't beat his own forbidden yearnings for Roma and his sister, which push him into an acts of cruelty and vengeance that finally bring the law crashing down on him. Tough-minded and authentic, but lacking the charm and mordancy of Campbell's series work; anyway, Joseph Wambaugh and Stephen Solomita, among others, have tracked this kind of dinosaur cop before.

Pub Date: Nov. 1, 1992

ISBN: 0-671-70319-6

Page Count: 304

Publisher: Pocket

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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