Crooke gives radioactive potency to Stephen’s many false steps, and they may well cook his newly reformed goose.
Crooke offers a dark tale of alcoholism, recklessness and the less-attractive aspects of the 1960s as they played out one long-ago summer in the beach town of Montauk, N.Y.
Narrator Stephen Dahl returns to Montauk, on the eastern end of Long Island, after an absence of some three decades to attend the funeral of an old friend. It’s not an easy return. Montauk was where he drank himself to oblivion on more nights than he can remember, if he remembers those nights at all. The portrayal of alcoholism here is scorching and grim and rises off the page like poisonous fumes. Stephen is now on the wagon, and with the aid of his old lover, Alexis Jordan–who ultimately dumped Stephen, thanks mostly to the booze, and took up with his old pal Tom Westlake, now deceased–he revisits his sodden behavior that summer. Some serious dirty laundry emerges slowly and gratifyingly by Crooke, who is a good hand at quietly trolling hints and insinuations before the reader, then letting them pop like a jack-in-the-box. Along the way, Crooke has Stephen explore how his behavior reflected the drearier byproducts of the counterculture: the “dead end of celebrity, simplistic religion, crackpot political theories, and economic binges and hangovers.” Stephen is calling himself to take honest account of grave mistakes, and the metaphor’s embrace reaches all the way to the ruinous, fear-fueled adventurism of American foreign policy. These various and disparate critiques have the potential of being forced upon one another, but here they have a canny, house-of-mirrors quality, bouncing and echoing before taking their place in the puzzle. Only rarely does Crooke overreach–of a Montauk “at the end of the road where time was suspended and all bets were off,” which is more sound than substance–for his writing has a natural sense of timing; the threads of the story come together with ease and deep discomfort.
Crooke gives radioactive potency to Stephen’s many false steps, and they may well cook his newly reformed goose.Pub Date: Dec. 5, 2007
ISBN: 978-0-595-70254-1
Page Count: 208
Publisher: N/A
Review Posted Online: Dec. 31, 2010
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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