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MADELEINE'S GHOST

Corrupted Creole civility complicates the life of a Brooklyn bohemian—in a spirited debut deftly mingling past, present, and the vastly different worldviews of New Orleans and New York. Ned Conti is a 32-year-old graduate student down and out in New York, passing time in East Village bars, avoiding work on his dissertation, and still mending from a disastrous love affair broken off ten years before. Adding insult to injury is a ghost in his dingy Brooklyn apartment: Furniture moves, stones fall from the ceiling, and he catches glimpses of a former time and inhabitant. A fruitless job researching a locally venerated 19th-century nun for his parish priest, who presides over her mummified remains and hopes to give Brooklyn its first saint, does little to improve Ned's state of mind. And when a Gypsy friend conducts a sÇance in order to get to the bottom of his ghost problem, but something goes awry and she jumps into the East River, he finds he's touching bottom himself. Then he's mugged and pistol-whipped. Meanwhile, his ex-amour, raven-haired New Orleans belle Antoinette, phones out of the blue to invite him to her family's bayou gathering, and in a speed-freaking, fast-lane frenzy the two pick up where they left off—for a few days. Back in Brooklyn, drained and thoroughly bewildered, Ned finally discovers the truth about the nun, his ghost, and Antoinette—though it'll takes hallucinations, an unauthorized visit to the mummy's crypt, and a near-death experience to provide missing links. Forsaking the city of dreams and despair once and for all, Ned lives happily ever after with Antoinette in the city where he truly belongs. The romance in Girardi's first novel has an undeniable sappiness, but entrancing scenes and characters, exquisite timing, and a mausoleum full of plot twists make for a fluid and truly memorable delight.

Pub Date: July 25, 1995

ISBN: 0-385-31482-5

Page Count: 354

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1995

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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