CLOSED CIRCLE

Then tables are turned with a vengeance when two con men try to turn a 1931 shipboard romance into a spot of genteel blackmail—only to find the family that they've targeted single-handedly started WW I. Originally jealous of his old friend Max Wingate's amatory success with heiress Diana Charmwood, Guy Horton recoils in amazement when Max announces that he's too much in love with the lady to let her fearsome father, investment mogul Fabian Charmwood, buy him off—and then recoils in horror when Max's elopement with Diana, the details to which Guy had sold Charmwood, is interrupted by the appearance of the great man's corpse, sending Max into hiding and Guy determined to clear his name. Max will turn up again, but only as Guy and Diana are lying in each other's grief-stricken arms in Venice, where a group of Charmwood's creditors, who can't believe the news that his vast empire is worthless, have commissioned Guy to pry the whereabouts of his hidden assets out of Diana and her Aunt Vita. But the worst, as usual with Goddard, is still to come: scruffy journalist George Duggan tells a wild tale linking Charmwood—via an unholy cabal of investors calling themselves the Concentric Alliance—to a plot to assassinate Franz Ferdinand in order to make the world safe for the armaments they've been investing in. Though Guy's story has lost every shred of plausibility by now, the continuing refrain of threat and counterthreat (will the Concentric Alliance be able to silence Guy before he's able to publish the damning evidence against them? whom can he trust in his flight from the perilous circle? and will he ever learn not to trust the sleek Diana?) will still keep you up much later than it should. High-toned, preposterous romantic period suspense from an old pro (Hand in Glove, 1993; A Debt of Dishonour, 1992, etc.).

Pub Date: Jan. 1, 1994

ISBN: 0-671-75072-0

Page Count: 336

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 1, 1993

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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A steamy, glitzy, and tender tale of college intrigue.

THE CHASE

From the Briar U series

In this opener to Kennedy’s (Hot & Bothered, 2017, etc.) Briar U romance series, two likable students keep getting their signals crossed.

Twenty-one-year-old Summer Heyward-Di Laurentis is expelled from Brown University in the middle of her junior year because she was responsible for a fire at the Kappa Beta Nu sorority house. Fortunately, her father has connections, so she’s now enrolled in Briar University, a prestigious institution about an hour outside Boston. But as she’s about to move into Briar’s Kappa Beta Nu house, she’s asked to leave by the sisters, who don’t want her besmirching their reputation. Her older brother Dean, who’s a former Briar hockey star, comes to her rescue; his buddies, who are still on the hockey team, need a fourth roommate for their townhouse. Three good-looking hockey jocks and a very rich, gorgeous fashion major under the same roof—what could go wrong? Summer becomes quickly infatuated with one of her housemates: Dean’s best friend Colin “Fitzy” Fitzgerald. There’s a definite spark between them, and they exchange smoldering looks, but the tattooed Fitzy, who’s also a video game reviewer and designer, is an introvert who prefers no “drama” in his life. Summer, however, is a charming extrovert, although she has an inferiority complex about her flagging scholastic acumen. As the story goes on, the pair seem to misinterpret each other’s every move. Meanwhile, another roommate and potential suitor, Hunter Davenport, is waiting in the wings. Kennedy’s novel is full of sex, alcohol, and college-level profanity, but it never becomes formulaic. The author adroitly employs snappy dialogue, steady pacing, and humor, as in a scene at a runway fashion show featuring Briar jocks parading in Summer-designed swimwear. The book also manages to touch on some serious subjects, including learning disabilities and abusive behavior by faculty members. Summer and Fitzy’s repeated stumbles propel the plot through engaging twists and turns; the characters trade off narrating the story, which gives each of them a chance to reveal some substance.

A steamy, glitzy, and tender tale of college intrigue.    

Pub Date: Aug. 6, 2018

ISBN: 978-1-72482-199-7

Page Count: 372

Publisher: CreateSpace

Review Posted Online: Jan. 28, 2019

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