by Robert Hardman ‧ RELEASE DATE: April 15, 2012
A reverential look inside the intricate workings of Queen, Inc.—likely to appeal mostly to British readers and royal...
A courtier’s fawning portrait of the longed-lived, thoroughly modern monarch.
At 60 years on the throne, Queen Elizabeth II celebrates her Diamond Jubilee in 2012. According to British royal biographer Hardman (A Year with the Queen, 2007, etc.), she has never been so well loved and appreciated by her people for he r many virtues. The author examines the success of her long reign in terms of her ability to confront the “anachronistic pantomime” of the hereditary institution and institute reforms (whether she liked it or not), as she was forced to do with Lord Airlie’s royal-efficiency controls put in place in the ’80s. The royal household resumed paying taxes, thus becoming self-sufficient and managing to prove to the British government its continued relevancy and independence. Hardman rehearses the highs and lows of the queen’s reign, from her triumphal accession in 1952 and world tour a year later, to the frequently abominable behavior of her wayward children, the fire at Windsor Castle in 1992 and aftermath of the death of Lady Diana. Things could only get better. Since the ’90s, the palace staff has modernized, computerized, consolidated dining rooms, opened the pool and royal opera box to more democratic use and acquired an in-palace dairy. The queen makes dizzying tours of her Commonwealth every year and has been served by a dozen British prime ministers, no longer choosing them herself. Except for a rare glimpse at her temper in an unguarded, human moment caught on film in 1954 (hurling shoes and curses at the fleeing Duke of Edinburgh, her husband), Elizabeth II remains in this stately portrait as enigmatic (or merely blank) as she ever was.
A reverential look inside the intricate workings of Queen, Inc.—likely to appeal mostly to British readers and royal watchers.Pub Date: April 15, 2012
ISBN: 978-1-60598-361-5
Page Count: 384
Publisher: Pegasus
Review Posted Online: Jan. 9, 2012
Kirkus Reviews Issue: Jan. 15, 2012
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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