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ENIGMA

A you-are-there re-creation you can crawl around in.

Former London Times columnist and BBC correspondent Harris returns, this time on much richer emotional ground.

Harris' imaginative debut, Fatherland (1992), pulled off the big stunt of describing a Germany in 1964 that defeated Russia and survived WW II. Though this second novel re-creates wartime England as carefully as Fatherland built up a fictive Nazi Germany, it's no stunt. Detective-story elements remain in each but don't overwhelm the character-driven plots. Set in 1943, it focuses on cryptanalysis and spies at Bletchley, a railway town servicing a secret base where intelligence teams attempt daily to break the German code enciphered in Hitler's Enigma machines. Although the British capture a number of Enigma machines, the proud Germans think that without a key to the code in use, Enigma is unbeatable: "It never ended, this battle against Enigma. It was a chess tournament of a thousand rounds against a player of prodigious defensive strength, and each day the pieces went back to their original positions and the game began afresh.'' Kept largely to the rigorous innards of dark little Bletchley, where a crew of geniuses strives to save three huge American convoys now bound for England but sailing into a pack of over 100 U-boats waiting to savage them, Harris' is no cliche wartime England but a richly felt particular place and time. The story unfolds through the eyes of Thomas Jericho, a young mathematician who broke the Enigma code, then had a nervous breakdown, and has now been called back from his sickbed to break Enigma anew and save the convoys. Meanwhile, his love affair with a cryptographer sinks when she disappears, leaving Tom with the creepy thought that she's a spy. The search for his enigmatic lost love parallels his search to break the code.

A you-are-there re-creation you can crawl around in.

Pub Date: Oct. 1, 1995

ISBN: 0-679-42887-9

Page Count: 336

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1995

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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