Very slick, rather tense, sophisticated and amusing.
Big money lures a professional ghostwriter into a rush job—rewriting the memoirs of the former British prime minister in a month. By the way, the last guy on the job may have been murdered.
Harris (Imperium, 2006, etc.) returns with an amusing, fast-paced thriller that inserts a non-political writer into the life of an out-of-office but still controversial British politician, Adam Lang, who bears a marked resemblance to Tony Blair. Purely coincidental, of course. The narrator is a ghostwriter who, teasingly, is never named. He’s made a living turning the semi-reliable memories of a wide range of celebrities into readable “autobiographies,” a highly specialized career that, with his Cambridge education, makes him the right man to earn $250,000 turning the turgid draft of Lang’s memoirs into something someone would actually want to read. The publisher, having advanced $10,000,000 and committed to a publication date one month hence, is desperate. Lang’s longtime political assistant wrote the wretched draft after much research, but either flung himself or was flung from the ferry to Martha’s Vineyard, where the ex-PM is holed up with wife and staff in the publisher’s cottage until the book is fixed. Just as the writer is getting a grasp on the work, Lang is charged by the World Court with war crimes for a deed he may have committed on behalf of the Yanks, who are still bogged down in Iraq. It’s the perfect hook for the rewrite, but the charge puts the household in a world-class dither. And it sends the writer deeper into Lang’s past. The more he learns, the less he likes Lang’s long involvement with the Americans, a relationship that cooked him politically in Britain. And the less he comes to trust Lang’s official memories. When he stumbles on materials collected by his late predecessor, it becomes clear that the dead biographer learned far too much about the politician—information that threatens everybody, including the ghostwriter.
Very slick, rather tense, sophisticated and amusing.Pub Date: Oct. 23, 2007
ISBN: 978-1-4165-5181-2
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 15, 2007
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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