Sci-fi as it should be: engaging, moving, and grand in scope.

SEEING FOREVER

McCarter (Of Things Not Seen, 2017, etc.) returns with a tale of a man who defeats the limits of mortality only to question the worth of indefinite existence.

Paul Cruz once lived as a human being on 22nd-century Earth. At the time, the planet was recovering from elevated sea levels, displaced populations, and the resulting disease and wars that came with them, collectively known as the Shift. He was married to a woman named Viola, who took increasing comfort, as they grew older, in religion and its promised afterlife. Paul, however, wanted to become a “Singular” and upload his human consciousness to a technological platform called the Singularity. He did so at age 90, after learning of Viola’s death; they’d divorced some years before. After living in virtual worlds of varying quality and design for decades, Paul is now ready to settle at a place called “Home.” It’s a quaint virtual-seaside environment that feels real, even giving him the illusion of a sunburn. There, he meets a person named Simon, who has eyes that seem familiar. Paul recounts the story of how he and other Singulars once wrested their fates from the corrupt Osiris Corporation, which had been deleting people after invoking “obscure clauses in their contracts.” Paul’s history as a Singular is also entwined with the story of Hugh Rice, an architect of the Singularity who became his lover. In this quiet but far-reaching thriller, author McCarter explores the essence of what it means to be human. On worlds where one might become an animal, or even the wind, he shows how virtual existence could become “tiresome”: “If everything was THE BEST, then nothing was,” Paul narrates. McCarter doesn’t bog down the narrative with hard-science jargon, instead cleanly and clearly explaining how the upload process works: “they stop your biological functions, they take your brain apart a cell at a time, mapping each and every neuron.” The first half of the story is rather sinister, with Paul’s fellow Singulars June Grunwald and Kendall Rothschild vanishing, but concerns of the heart quickly take center stage as Paul discovers that “Love shouldn’t be contained or constrained by the accident of gender.” The ending, which brings the discussion of the afterlife full circle, hints at a sequel.

Sci-fi as it should be: engaging, moving, and grand in scope.

Pub Date: April 14, 2018

ISBN: 978-1-941153-01-7

Page Count: 182

Publisher: Little Hummingbird Publishing

Review Posted Online: April 17, 2018

Kirkus Reviews Issue: June 1, 2018

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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