by Robert K. Tanenbaum ‧ RELEASE DATE: Sept. 16, 1996
Butch Karp has left the Manhattan D.A.'s office, but not the legal hot-seat, as this blistering novel of endless Big Apple corruption and coverups makes abundantly clear. Butch's client—a client he's taken on over the howls of his firm's colleagues, who prefer to hold their star litigator over the heads of their own handpicked enemies—is ex-Chief Medical Examiner Dr. Murray Selig, tossed out of office on trumped-up charges so risible that the Mayor and D.A. Sanford Bloom have to have something else in mind—something pretty dire. While Karp is gathering the ammunition to destroy the D.A.'s defense witnesses, his wife, Marlene Ciampi, also on the lam from the D.A.'s office, is fighting off her pushy friend, high-flying reporter Ariadne Stupenagel—busy working on a story on the shakedown of three New York cabbies who fortuitously died in police custody—long enough to set up her own agency serving women who need help enforcing protective legal orders against strangers or sadists or former lovers who are stalking them. Ciampi's highly effective vigilante tactics—heaven help the stalker she gets her teeth into—give Tanenbaum's tale a shot of welcome humor to counterbalance Ciampi's involvement with Isabella and Hector, a pair of wary refugee kids somebody has dumped at tough Mattie Duran's Women's Shelter. Amazingly, Tanenbaum manages to pull all four cases together—Selig's civil suit against the Mayor and the D.A., Stupenagel's investigation of the police shakedown, Ciampi's anti-stalking campaign, and the sorry tale of Isabella and Hector—and even finds a surprising new role for Karp and Ciampi's precocious seven-year-old daughter Lucy. After tossing Karp into the treacherous deeps of the Kennedy assassination (Corruption of Blood, 1995), Tanenbaum proves that his meticulous homework on questions of legal procedure and the best Chinese restaurant for an off-the-record conversation can turn the most preposterous conspiracy of his own into an electrifying page-turner.
Pub Date: Sept. 16, 1996
ISBN: 0-525-94168-1
Page Count: 288
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1996
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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