Even a slugger like Tanenbaum (Reversible Error, 1992, etc.) can't hit a home run every time—as witnessed by this contrived, though compelling, fifth novel in his 70's-set series about crime- busting Manhattan D.A. Butch Karp and his crew. The core case here is the murder of New York Hustlers basketball star Marion Simmons, his body found in his car—along with $50,000 worth of coke. We (but not Karp) know whodunit—a top mob hit man and his apprentice—but we don't know why. Karp gets into the action when the Hustlers coach asks him to look into the killing, which Karp can do since he's just resigned his post as a way of taking responsibility for a subordinate's screw-up. So Karp, going undercover, joins the Hustlers as a player—and this after the aging ex-A.D.A., once a hot basketball prospect, has just picked up a b-ball for the first time in years. Tanenbaum tries hard, but Karp's ability to play pro ball, much less lead the Hustlers to victory, just aren't convincing. Meanwhile, the hit men hunt two witnesses to the killing, one of whom turns for help to an old pal—who happens to be Karp's pregnant wife, Marlene, on leave from the D.A.'s office. Bored at home, Marlene teams up with a rummy cop to chase the killing's drug angle, contacting a druglord who provides clues that, along with others, point at a land-grab conspiracy involving crooked powerbrokers. Karp rejoins the D.A.'s office and taps old series pals to tie up the case—but not before Marlene is attacked by the hit men even as her baby struggles to be born.... Plenty of intrigue, action, and Tanenbaum's usual snappy folk and dialogue—but the Perils of Pregnant Pauline gambit and other tricky plays may have readers calling ``foul.''
Pub Date: June 15, 1993
ISBN: 0-525-93579-7
Page Count: 320
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1993
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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