A mesmerizing interplay of lives and socio-historical contexts.

ON AN IRISH ISLAND

A richly detailed biographical study of a group of early-20th-century intellectuals whose shared love for a dying insular culture helped save it from extinction.

Kanigel (Faux Real: Genuine Leather and Two Hundred Years of Inspired Fakes, 2007, etc.) displays his abundant erudition and narrative finesse in this story of how four European intellectuals—classicist George Thomson, British Museum curator Robin Flower and linguists Carl Marstrander and Marie-Louise Sjoestedt—found their lives forever changed by encounters with the people of Great Blasket Island, off the coast of Ireland. The four traveled to this remote island at different times and for different reasons. Thomson followed the suggestion of his friend and fellow Celtophile Flower and went to Blasket for the “Gaeltacht,” the Irish culture which had already enchanted Flower. Marstrander, a Norwegian, sought to examine the linguistic links that bound the Vikings to the ancient Celts. The sophisticated Parisian Sjoestedt sought the opportunity to study one of the most complex linguistic systems in the world. Although the islanders lived in "primitive" conditions, all four visitors became enthralled by the rich island culture. Interwoven among these overlapping, sometimes intersecting biographies are other stories, including that of playwright John Millington Synge, who went to the island to learn spoken Irish; and those of the men and women the four scholars befriended, loved and inspired. Thanks to their influence, dialect-rich folktales and life histories that would otherwise have perished found their way into Irish literary history. The portraits in this book are classic Kanigel: lively, sympathetic and thoroughly engaging. Yet what makes the narrative so affecting is the loss that permeates the text. As cultures like those on Great Blasket continue to be destroyed by the march of progress, so too are our connections to a simpler, more personally fulfilling way of living.

A mesmerizing interplay of lives and socio-historical contexts.

Pub Date: Feb. 13, 2012

ISBN: 978-0-307-26959-1

Page Count: 336

Publisher: Knopf

Review Posted Online: Jan. 9, 2012

Kirkus Reviews Issue: Jan. 15, 2012

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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Thus the second most costly war in American history, whose “outcome seemed little short of a miracle.” A sterling account.

1776

A master storyteller’s character-driven account of a storied year in the American Revolution.

Against world systems, economic determinist and other external-cause schools of historical thought, McCullough (John Adams, 2001, etc.) has an old-fashioned fondness for the great- (and not-so-great) man tradition, which may not have much explanatory power but almost always yields better-written books. McCullough opens with a courteous nod to the customary villain in the story of American independence, George III, who turns out to be a pleasant and artistically inclined fellow who relied on poor advice; his Westmoreland, for instance, was a British general named Grant who boasted that with 5,000 soldiers he “could march from one end of the American continent to the other.” Other British officers agitated for peace, even as George wondered why Americans would not understand that to be a British subject was to be free by definition. Against these men stood arrayed a rebel army that was, at the least, unimpressive; McCullough observes that New Englanders, for instance, considered washing clothes to be women’s work and so wore filthy clothes until they rotted, with the result that Burgoyne and company had a point in thinking the Continentals a bunch of ragamuffins. The Americans’ military fortunes were none too good for much of 1776, the year of the Declaration; at the slowly unfolding battle for control over New York, George Washington was moved to despair at the sight of sometimes drunk soldiers running from the enemy and of their officers “who, instead of attending to their duty, had stood gazing like bumpkins” at the spectacle. For a man such as Washington, to be a laughingstock was the supreme insult, but the British were driven by other motives than to irritate the general—not least of them reluctance to give up a rich, fertile and beautiful land that, McCullough notes, was providing the world’s highest standard of living in 1776.

Thus the second most costly war in American history, whose “outcome seemed little short of a miracle.” A sterling account.

Pub Date: June 1, 2005

ISBN: 0-7432-2671-2

Page Count: 656

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 2005

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