A tad off the bull’s-eye hit by Larry McMurtry’s Woodrow Call and Augustus McCrae adventures but a darn good way to pass an...
Knott (Robert B. Parker's The Bridge, 2014, etc.) continues the inimitable Parker’s Western series with marshals Virgil Cole and Everett Hitch caught up in the aftermath of a Denver policeman’s wife’s murder.
Sgt. Roger Messenger has traced his wife’s alleged killer, Boston Bill Black, down to Appaloosa territory, where Cole and Hitch keep the law. Messenger confronts Boston Bill, who’s busy setting up a new gambling hall, and is killed by one of Bill's henchmen. Bill and two bodyguards flee. Cole and Hitch pursue, but in the chase, popular deputy sheriff Skinny Jack is killed. The marshals bring in the bodyguard who killed Messenger, with the other shot dead. But it’s bounty hunter Valentine Pell who brings Boston Bill back to Appaloosa for trial. Hitch is astounded to learn that Pell is Cole’s long-lost, and disreputable, half brother. More complications soon occur for Cole and Hitch. Westerns need atmosphere as much as story, and Knott has a knack for six-gun verisimilitude, sketching the land and summer heat, the horses and the shopkeepers. Knott’s especially good with the prototypical Old West marshal, Virgil Cole, “perfectly present in the here and now,” every inch stoic lawman: “ ‘Tangled goddam web,’ I said. ‘Is,’ Virgil said.” Other conversational exchanges, however, occasionally include idioms and phrasing seemingly too modern. Knott’s a descriptive writer—he sees a lawyer as “a tall narrow man with thick tangled eyebrows”—and his tale gallops along without confusing readers new to the series. The undercurrent of the unspoken mutual attraction between Hitch and Virgil’s common-law wife, Allie, continues to heat up the narrative, but this time Hitch takes comfort in the arms of the mysterious Daphne Angel, the gambling hall’s bookkeeper.
A tad off the bull’s-eye hit by Larry McMurtry’s Woodrow Call and Augustus McCrae adventures but a darn good way to pass an afternoon for Western fans.Pub Date: Feb. 2, 2016
ISBN: 978-1-101-98253-2
Page Count: 320
Publisher: Putnam
Review Posted Online: Nov. 18, 2015
Kirkus Reviews Issue: Dec. 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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