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ROBERT B. PARKER'S REVELATION

A classic plot and plenty of 8-gauge shotgun showdowns best enjoyed by those who’ve followed Cole and Hitch’s previous...

Knott (Robert B. Parker’s Blackjack, 2016, etc.) continues Parker’s Western series, this time sending U.S. Territorial Marshal Virgil Cole and Deputy Marshal Everett Hitch in pursuit of killers fleeing from an Arizona Territory prison.

The escapees from rugged and isolated Cibola prison have scattered, but as the marshals saddle up and head out from Appaloosa, Hitch thinks he glimpses the baddest of the bad, a brilliant megalomaniac named Driggs. As the tale unfolds, there’s back story revealing a connection between Hitch and Driggs. With another escaped homicidal maniac with the personality of "a pissed-off griz" roaming the backcountry, Cole can't dally over worries about his longtime lover, Allie French. An eccentric but seemingly pleasant fellow named Vandervoort has brought big money to Appaloosa, and Allie’s opened Mrs. French’s Fine Dresses to join in the boom. With hints that Driggs is a deviant sexual sadist, Allie’s shop plays into the story’s end. Sand, saddles, and six-guns make a Western, but the setting here is only about half an inch deep. Neither protagonist nor villain is given a special affection for horses, magnificent open spaces, or other staples of Old West tales. The story is in the chase, from mines to exotic hot springs resorts, bad men and a few good men meeting their maker. The dialogue sometimes gallops, with conversations so abbreviated as to make Clint Eastwood sound like a chatterbox: "Been a bunch of it of late," I said. "More than," Virgil said. "That time of the year," I said. "Is." Knott has fun by repeatedly dropping in oddball collective nouns—a cete of badgers, gaggle of geese, and murder of crows.

A classic plot and plenty of 8-gauge shotgun showdowns best enjoyed by those who’ve followed Cole and Hitch’s previous adventures.

Pub Date: Feb. 7, 2017

ISBN: 978-0-399-57534-1

Page Count: 336

Publisher: Putnam

Review Posted Online: Jan. 22, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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