A tad off the bull’s-eye hit by Larry McMurtry’s Woodrow Call and Augustus McCrae adventures but a darn good way to pass an...
Knott (Robert B. Parker's The Bridge, 2014, etc.) continues the inimitable Parker’s Western series with marshals Virgil Cole and Everett Hitch caught up in the aftermath of a Denver policeman’s wife’s murder.
Sgt. Roger Messenger has traced his wife’s alleged killer, Boston Bill Black, down to Appaloosa territory, where Cole and Hitch keep the law. Messenger confronts Boston Bill, who’s busy setting up a new gambling hall, and is killed by one of Bill's henchmen. Bill and two bodyguards flee. Cole and Hitch pursue, but in the chase, popular deputy sheriff Skinny Jack is killed. The marshals bring in the bodyguard who killed Messenger, with the other shot dead. But it’s bounty hunter Valentine Pell who brings Boston Bill back to Appaloosa for trial. Hitch is astounded to learn that Pell is Cole’s long-lost, and disreputable, half brother. More complications soon occur for Cole and Hitch. Westerns need atmosphere as much as story, and Knott has a knack for six-gun verisimilitude, sketching the land and summer heat, the horses and the shopkeepers. Knott’s especially good with the prototypical Old West marshal, Virgil Cole, “perfectly present in the here and now,” every inch stoic lawman: “ ‘Tangled goddam web,’ I said. ‘Is,’ Virgil said.” Other conversational exchanges, however, occasionally include idioms and phrasing seemingly too modern. Knott’s a descriptive writer—he sees a lawyer as “a tall narrow man with thick tangled eyebrows”—and his tale gallops along without confusing readers new to the series. The undercurrent of the unspoken mutual attraction between Hitch and Virgil’s common-law wife, Allie, continues to heat up the narrative, but this time Hitch takes comfort in the arms of the mysterious Daphne Angel, the gambling hall’s bookkeeper.
A tad off the bull’s-eye hit by Larry McMurtry’s Woodrow Call and Augustus McCrae adventures but a darn good way to pass an afternoon for Western fans.Pub Date: Feb. 2, 2016
ISBN: 978-1-101-98253-2
Page Count: 320
Publisher: Putnam
Review Posted Online: Nov. 18, 2015
Kirkus Reviews Issue: Dec. 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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