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RISK

(A TALE OF WALL STREET)

A thoughtful and well-crafted look at the human stakes in high finance.

A debut drama explores the bottomless greed and dysfunction that plague Wall Street.

In the wake of the 2008 financial catastrophe, Wall Street is badly hobbled and the bond market is all but nonexistent. Urban Bank in New York City is hit particularly hard by the crisis, and hungry for a financial product to sell. French-born Francine Dubois, a “walking spreadsheet” known for her encyclopedic storehouse of knowledge and quiet meticulousness, comes up with a brash idea: package wages into bonds just as was once done with mortgages, effectively collateralizing them, and reap the benefits from managing them as well as from their after-market value. Francine’s idea is an intriguing one, and she’s asked to draw up a plan and discover a client to jump aboard; she finds Verdinion Computers, a respected company whose imprimatur ensures the bonds will have a Triple A rating. But despite her tireless efforts and creativity in midwifing what comes to be known as “Bondage Bonds,” Francine is relegated to the sidelines, not given proper credit or compensation for her innovation. She decides to branch out on her own, partnering professionally and romantically with a successful trader, Matthew Dixon, and they open their own firm, Benoit Trading. Francine expands the company to include payrolls for civil servants in France, a risky move that leaves her vulnerable to disaster. And when the market too exuberantly embraces the bonds, and a new crisis eerily familiar to the last one looms imminently, she is the most obvious candidate to be chosen as a scapegoat. Levey’s dramatization of Wall Street’s infinite avarice is ingeniously inventive, providing a scathingly astute commentary on the irrepressibility of capitalistic avarice. And no one is spared his gimlet-eyed scrutiny—even the bond ratings agencies are easily moved by their own myopically conceived self-interest. The author paints a vivid picture of a world too easily moved into a feeding frenzy: “A swelling sea of Bondage Bonds swept over the markets, and the sweet odor of fees and commissions seeped into the cloistered halls of American finance.” Francine is a fascinatingly complicated protagonist—restrained by an authentic sense of principle but not unmoved by the blandishments of material success, she walks a fine line between admirable ambition and reckless cupidity. The narrative includes a surfeit of highly technical jargon and will likely appeal most to those with a firm grasp and abiding interest in the inner machinations of the financial world. In addition, a plot turn toward the end of the tale that involves French terrorists seems overdone and implausible, unlike the rest of the novel. Levey’s writing is crisp and witty, though, and he avoids any easy moral judgments about his characters, allowing readers to experience them in all their vibrant complexity. The author’s first effort is a precocious one, characterized by unusual restraint and a sensitive attention to the moral frailty that even the noblest figures wrestle with.

A thoughtful and well-crafted look at the human stakes in high finance.

Pub Date: Oct. 11, 2017

ISBN: 978-0-9994206-0-7

Page Count: 256

Publisher: Yulap

Review Posted Online: Nov. 25, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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