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THE FOUR MYTHS

An adventure tale that imbues a grand apocalyptic vision with heart and humor.

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In Reisler’s novel, a cataloguer and a security guard investigate a strange scroll that’s somehow connected to a well-known historical event—and a high-stakes battle between good and evil.

It’s 2007, and Jack Johanssen has his dream job: quietly cataloging archeological finds deep in the basement of a mostly forgotten warehouse full of things that the United States government has collected since its inception. He finds the work satisfying, but he mostly appreciates the isolation it provides. He’s soon challenged by the arrival of Randy Haverstamp, a new security guard who takes a strong interest in Jack’s work and is determined to insinuate himself in his life. On a night filled with strange mathematical coincidences, the pair discovers an unusual scroll with a mysterious connection to Custer’s Last Stand. As they investigate further, their paths soon cross with other people who’ve found similar scrolls, including an author and his aunt, and as they collectively decode them, they find themselves entangled in an increasingly mystifying apocalyptic prophecy—one that spans centuries and is apparently unfolding in real time. Reisler’s tone is the real star here, managing to balance a thriller on an epic scale with an often tongue-in-cheek delivery (“I don’t think the scroll is bad or is going to melt our faces off or anything, just because we read it,” notes Randy at one point). Reisler never makes fun of his characters, by any means, but he also never lets an excess of gravity weigh down the storytelling. Reisler even appealingly puts himself into the narrative, noting his alleged discovery of the journals on which the novel is based and his conversations with the journals’ author. The story’s playfulness, despite the cosmic stakes, keeps the focus on the importance of small, human interactions, and it’s all in service of the novel’s clear goal: to raise questions about good, evil, and the nature of reality. It’s also a work that reminds readers that what truly matters isn’t answering such questions but how we live with one another while pursuing them.

An adventure tale that imbues a grand apocalyptic vision with heart and humor.

Pub Date: July 13, 2020

ISBN: 9781734881400

Page Count: 372

Publisher: N/A

Review Posted Online: Nov. 3, 2025

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ALL THAT WE SEE OR SEEM

Equal parts biting social commentary and page-turning thriller, a disturbing glimpse into humankind’s possible future.

The first installment of Liu’s Julia Z saga is an SF thriller set in a near-future “post-truth age” where the use of AI and the inundation of digital disinformation and data pollution have blurred the lines between delusion and reality.

Julia—whose immigrant mother, a divisive political activist, was murdered during a border protest—has lived on her own since she was 14. A brilliant hacker now 23, she’s been trying to live in online anonymity, acutely aware of the multitude of ways she can be identified and tracked. Living in a Boston suburb and struggling to make ends meet, she inadvertently becomes entangled with a lawyer named Piers Neri and his search for his artist wife, Elli Krantz—famous for her experimental work in vivid dreaming—who may or may not have been kidnapped. A prime suspect in his wife’s disappearance, Piers goes on the run with the help of Julia—and together, they begin putting together pieces of a mind-bogglingly intricate puzzle that links Elli to a powerful criminal with a global reach. As Julia digs deeper into the appeal of vivid dreaming and the criminal’s ruthless endeavors, she discovers the sham that is the American Dream: “America was corrupt and steeped in sin. The powerful had rigged the game for themselves and turned the country into a panopticon to imprison the rest of us. Anytime one of the powerless—it didn’t matter the color of your skin, the language you spoke, the place you were born in—was on the verge of climbing out, they would be ruthlessly tossed back into the pit.” And amid the backdrop of dealing with unresolved childhood trauma and the need to find her place in the world, she finds something unexpected—herself.

Equal parts biting social commentary and page-turning thriller, a disturbing glimpse into humankind’s possible future.

Pub Date: Oct. 14, 2025

ISBN: 9781668083178

Page Count: 416

Publisher: Saga/Simon & Schuster

Review Posted Online: Oct. 10, 2025

Kirkus Reviews Issue: Nov. 15, 2025

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WAYWARD

IMAX-scale bleeding-edge techno-horror from a writer with a freshly sharpened scalpel and time on his hands.

The world as we know it ended in Wanderers, Wendig’s 2019 bestseller. Now what?

A sequel to a pandemic novel written during an actual pandemic sounds pretty intense, and this one doesn’t disappoint, heightened by its author’s deft narrative skills, killer cliffhangers, and a not inconsiderable amount of bloodletting. To recap: A plague called White Mask decimated humanity, with a relative handful saved by a powerful AI called Black Swan that herded this hypnotized flock to Ouray, Colorado. Among the survivors are Benji Ray, a scientist formerly with the Centers for Disease Control and Prevention; Shana Stewart, who is pregnant and the reluctant custodian of the evolving AI (via nanobots, natch); Sheriff Marcy Reyes; and pastor Matthew Bird. In Middle America, President Ed Creel, a murdering, bigoted, bullying Trump clone, raises his own army of scumbags to fight what remains of the culture wars. When Black Swan kidnaps Shana’s child, she and Benji set off on another cross-country quest to find a way to save him. On their way to CDC headquarters, they pick up hilariously foulmouthed rock god Pete Corley, back from delivering Willie Nelson’s guitar to the Rock & Roll Hall of Fame. This novel is an overflowing font of treasures peppered with more than a few pointed barbs for any Christofacists or Nazis who might have wandered in by accident. Where Wanderers was about flight in the face of menace, this is an old-fashioned quest with a small band of noble heroes trying to save the world while a would-be tyrant gathers his forces. All those big beats, not least a cataclysmic showdown in Atlanta, are tempered by the book’s more intimate struggles, from Shana’s primal instinct to recover her boy to the grief Pete buries beneath levity to Matthew Bird’s near-constant grapple with guilt. It’s a lot to take in, but Pete’s ribald, bombastic humor as well as funny interstitials and epigraphs temper the horror within.

IMAX-scale bleeding-edge techno-horror from a writer with a freshly sharpened scalpel and time on his hands.

Pub Date: Nov. 15, 2022

ISBN: 978-0-593-15877-7

Page Count: 816

Publisher: Del Rey

Review Posted Online: Aug. 30, 2022

Kirkus Reviews Issue: Sept. 15, 2022

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