A theologically perceptive and dramatically enthralling work of historical reconsideration.
A novel reimagines the life of Judas and his relationship with Jesus.
Nearly everyone knows the biblical story of Judas’ perfidy—he handed over Jesus to his enemies for 30 pieces of silver. Turner bases his thoughtful dramatization of the life of Judas—Youdias in the novel—on a tantalizingly original conceit: that he composed a suicide note before taking his own life. The book is this note, an explanation of the manner in which he met his spiritual master, Yeshua (Jesus), whose ideas he finds “exhilaratingly novel.” Unfortunately, Youdias has nothing but contempt for Yeshua’s “uncouth band” of disciples, a sheepish tribe of ignorant peasants. Youdias becomes obsessed with convincing Yeshua not only to explicitly assume the mantle of the Messiah, but also the Son of David and fashion himself a political liberator of Israel. As far as Youdias is concerned, only a revolution will spread Yeshua’s ideas: “We must fight fire with fire.” Yeshua, though, is committed to “nonviolent resistance” and opposes a reduction of his mission to worldly terms. When Youdias learns of a plot to assassinate Yeshua, he contacts Natan, an aristocratic priest. Youdias pretends to conspire against Yeshua in order to force his master’s hand in declaring himself the Son of David. In this illuminating book, the author doesn’t waste the novel’s inventive premise, painting a vivid picture of Yeshua’s charismatic ministry and the complex spirituality of his message. In addition, Youdias is intelligently portrayed as arrogantly confident of his own opinions but finally tortured by doubts that his scheme is prudent: “I was not at all sure that even the instinct for self-preservation would be enough for Yeshua to take up arms if he had not heard from his Abba. Might he not simply surrender and take on the role of the Suffering Servant?”
A theologically perceptive and dramatically enthralling work of historical reconsideration.Pub Date: July 25, 2019
ISBN: 978-1-5326-8601-6
Page Count: 266
Publisher: Resource Publications
Review Posted Online: Feb. 9, 2021
Kirkus Reviews Issue: March 15, 2021
Review Program: Kirkus Indie
A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.
A retelling of Pinocchio from Geppetto's point of view.
The novel purports to be the memoirs of Geppetto, a carpenter from the town of Collodi, written in the belly of a vast fish that has swallowed him. Fortunately for Geppetto, the fish has also engulfed a ship, and its supplies—fresh water, candles, hardtack, captain’s logbook, ink—are what keep the Swallowed Man going. (Collodi is, of course, the name of the author of the original Pinocchio.) A misfit whose loneliness is equaled only by his drive to make art, Geppetto scours his surroundings for supplies, crafting sculptures out of pieces of the ship’s wood, softened hardtack, mussel shells, and his own hair, half hoping and half fearing to create a companion once again that will come to life. He befriends a crab that lives all too briefly in his beard, then mourns when “she” dies. Alone in the dark, he broods over his past, reflecting on his strained relationship with his father and his harsh treatment of his own “son”—Pinocchio, the wooden puppet that somehow came to life. In true Carey fashion, the author illustrates the novel with his own images of his protagonist’s art: sketches of Pinocchio, of woodworking tools, of the women Geppetto loved; photos of driftwood, of tintypes, of a sculpted self-portrait with seaweed hair. For all its humor, the novel is dark and claustrophobic, and its true subject is the responsibilities of creators. Remembering the first time he heard of the sea monster that was to swallow him, Geppetto wonders if the monster is somehow connected to Pinocchio: “The unnatural child had so thrown the world off-balance that it must be righted at any cost, and perhaps the only thing with the power to right it was a gigantic sea monster, born—I began to suppose this—just after I cracked the world by making a wooden person.” Later, contemplating his self-portrait bust, Geppetto asks, “Monster of the deep. Am I, then, the monster? Do I nightmare myself?”
A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.Pub Date: Jan. 26, 2021
ISBN: 978-0-593-18887-3
Page Count: 208
Publisher: Riverhead
Review Posted Online: Sept. 29, 2020
Kirkus Reviews Issue: Oct. 15, 2020
For devoted Hannah fans in search of a good cry.
The miseries of the Depression and Dust Bowl years shape the destiny of a Texas family.
“Hope is a coin I carry: an American penny, given to me by a man I came to love. There were times in my journey when I felt as if that penny and the hope it represented were the only things that kept me going.” We meet Elsa Wolcott in Dalhart, Texas, in 1921, on the eve of her 25th birthday, and wind up with her in California in 1936 in a saga of almost unrelieved woe. Despised by her shallow parents and sisters for being sickly and unattractive—“too tall, too thin, too pale, too unsure of herself”—Elsa escapes their cruelty when a single night of abandon leads to pregnancy and forced marriage to the son of Italian immigrant farmers. Though she finds some joy working the land, tending the animals, and learning her way around Mama Rose's kitchen, her marriage is never happy, the pleasures of early motherhood are brief, and soon the disastrous droughts of the 1930s drive all the farmers of the area to despair and starvation. Elsa's search for a better life for her children takes them out west to California, where things turn out to be even worse. While she never overcomes her low self-esteem about her looks, Elsa displays an iron core of character and courage as she faces dust storms, floods, hunger riots, homelessness, poverty, the misery of migrant labor, bigotry, union busting, violent goons, and more. The pedantic aims of the novel are hard to ignore as Hannah embodies her history lesson in what feels like a series of sepia-toned postcards depicting melodramatic scenes and clichéd emotions.
For devoted Hannah fans in search of a good cry.Pub Date: Feb. 9, 2021
ISBN: 978-1-2501-7860-2
Page Count: 464
Publisher: St. Martin's
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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