by Robert Waxler & David Beckman ‧ RELEASE DATE: Aug. 5, 2025
A touching anthology of correspondence between two friends that’s also a love letter to literature.
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Two college friends rekindle their friendship and mutual love of literature in this collection of letters.
Authors Waxler and Beckman first met as 18-year-olds at Brown University in 1962, where they bonded over their love of language and books. In their senior year at the Ivy League institution, the two even published a poetry chapbook together, Echo Aonides, which reflected their preoccupation with classical literature and “caused a small buzz on campus and in our heads.” As often happens with college friendships, life intruded and took the two men on separate paths. Waxler would later serve in multiple academic and leadership roles as a literature professor and dean at the University of Massachusetts Dartmouth, where his writings took a decisively academic turn. Beckman continued to publish poetry in multiple anthologies—he was nominated for the Pushcart Poetry Prize twice—in addition to his commercial work as a promotional writer. After Beckman found a reference to Waxler in a 2014 alumni magazine, the two resumed correspondence, picking up where they left off half a century before. After a brief introduction, this book offers readers the authors’ correspondence from 2021 to 2024 in which they not only reflect on their own writings but also continue their college debates about classic writers—from Dante Alighieri and William Shakespeare to T.S. Eliot and Franz Kafka. The missives, originally sent as e-mails, have a conversational style and reflect a delightful blend of jargon-free literary banter, featuring the learned insights of two people who share a profound love of the written word.
Even the letters that focus on more thematic or personal topics, such as one titled “Friendship Keeps Us Alive,” contain a wealth of literary references from Homer to Milan Kundera. Others explore the nature of writing itself, as when Beckman, for instance, explores the differences between writing poetry and doing work for advertising firms: “In professional writing, I couldn’t afford dry spells, and so had to force creativity,” he writes, adding that the opposite was true in his career as a poet: “To force a poem into being is to mar its nature before it’s born.” A co-founder of UMass Dartmouth’s Center for Jewish Culture, Waxler often adds religious interpretations to his letters, providing biblical commentary from the Orthodox Jewish tradition. Although many of the exchanges here are lighthearted in nature—even when the authors’ interpretations of a specific Keats poem, Tolstoy novel, or Shakespeare play diverge—they also tackle important existential questions concerning literature today, such as its value in a post-Holocaust world and the future of human culture in a milieu that is increasingly dominated by artificial intelligence. The book’s cover art, created by Brian Singer, repurposes old paperback books in a mosaic patten that, per the artist, seeks “to breathe new life into millions of hidden words, sentences, and stories.” In this art, and in each of the book’s 33 letters, readers will experience a poignant and accessible ode to reading and writing. A touching anthology of correspondence between two friends that’s also a love letter to literature.Pub Date: Aug. 5, 2025
ISBN: 9781953943613
Page Count: 234
Publisher: Rivertowns Books
Review Posted Online: July 3, 2025
Review Program: Kirkus Indie
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
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by Brandon Stanton ; photographed by Brandon Stanton
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New York Times Bestseller
by Pamela Anderson ‧ RELEASE DATE: Jan. 31, 2023
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
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New York Times Bestseller
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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