Equal parts hilarity and heartbreak in an accomplished debut.
In Yune’s moving and darkly comic debut novel, a young Korean-American man struggles to come to terms with his cultural identity and dysfunctional working-class family.
When Jason’s father loses his blue-collar job, he sends his young son and Jason’s antagonistic brother, Tommy, to stay with a friend called “the doctor” and his wife in Princeton, New Jersey, while he looks for work. Once he’s situated in a job at a book bindery in Wilkes-Barre, Pennsylvania, Tommy is called home to live with their now-overworked and abusive father, but Jason remains in the doctor’s household, where he’s brought up in affluence and privilege. The father’s suicide brings the rival brothers back together, as Jason discovers he has inherited his father’s house. Both brothers take work at the Wilkes-Barre book bindery, determined that their father’s former workplace holds the secret to his premature death. The brothers are ultimately disappointed by the banal truth surrounding their father’s suicide, and when Tommy is let go after a physical altercation with another employee, Jason eventually leaves the physically and emotionally oppressive work behind to follow his brother and attend college in Pittsburgh. There, the siblings’ tense relationship deepens as Jason attempts to refine his sense of identity and Tommy’s drinking and drug use spiral further out of control. With neither brother able to get much traction in their lives, Jason returns to the doctor’s household for a respite, while his brother comes perilously close to self-destruction. The brothers seem best able to relate as part of triangular relationships, first with their father and later with a charming art student named Kate, and Yune’s exploration of this dynamic is fascinating. The prose is frequently stunning, as in a description of Tommy’s role in a bar fight: “…he was throwing himself before the mercy of the nation’s sharp young men, bulging with bovine growth hormone, testosterone, and date rape.” Yune also proves himself an expert at wry observation: “Reading,” he writes of the dehumanizing atmosphere of the bindery, “was forbidden in the book factory.”
Equal parts hilarity and heartbreak in an accomplished debut.Pub Date: June 9, 2015
ISBN: 978-1632260444
Page Count: 288
Publisher: Thought Catalog Books/Prospecta Press
Review Posted Online: April 15, 2015
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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