Despite menacing characters and real atrocities, this mystery deflates.
On a run through the early morning mists of Geneva, Abby Monroe watches in horror as a woman falls from a balcony to her death. Was she pushed?
Stunned, Abby’s eyes are drawn to a gorgeous jeweled bracelet just as a man, a man who could be a murderer, leans over the balcony, sees her and gives chase. Strangely, when Abby notifies the police, the body is nowhere to be found. So, Abby puts the mysterious event behind her and continues on to Peshawar, Pakistan, to document vaccine statistics for the United Nations. Her sleep is filled with nightmares, and her bathroom crawls with cockroaches, yet Abby pulls herself together and begins to work with women and children desolated by natural and human disasters. Gately (Lipstick in Afghanistan, 2010) vividly depicts the appalling conditions of refugee camps, as well as the stories of women who have escaped sexual slavery, yet her heroine’s naïveté strains credulity. Despite having been dumped by her long-term boyfriend, lost a dream job and willingly accepted a job in a place even the U.N. euphemistically terms an unstable security situation (not to mention having witnessed a possible murder), Abby implicitly trusts everyone she meets. Her days are quickly populated by the refugees, Hana (the surly maid whose husband sold their child) and Najeela (the administrative assistant who wants to marry Lars, not an Afghan man chosen by her family). Into this world of women struggling to negotiate a world of terrorism and social oppression, Nick Sinclair arrives. Investigating conditions at the camps and allegations of human trafficking, Nick wants to interview Abby for a sidebar story. Although she inexplicably distrusts Nick, Abby has no one else to turn to when she finds the bracelet.
Despite menacing characters and real atrocities, this mystery deflates.Pub Date: Nov. 6, 2012
ISBN: 978-1-4516-6912-1
Page Count: 336
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Sept. 15, 2012
Kirkus Reviews Issue: Oct. 1, 2012
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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