Part romance, part battle, part triumph, this American experience contains fascinating tidbits for history and movie buffs,...
De Haro (Intermezzo of the Longing Hearts, 2006, etc.) divides Alejandro Romero’s epic journey into three parts—the “Golden Years” of Hollywood, the battlefields of World War II in Europe and the pursuit of normalcy in postwar Los Angeles.
The lights, cameras and action of a thriving movie scene are strange and unfamiliar to Alejandro, who fled with his family from Mexico to California to escape political persecution. His craftsman uncle, Jose Maria, introduces Alejandro to this then-silent medium at a young age. As a 10-year-old stuntman, Alejandro plays “waifs, runaways, juveniles, thieves, and even young Native Americans.” After earning his high school certificate, Alejandro returns to Jose Maria’s waiting arms; his uncle shares his home, his day job, his friends and even his expanding marijuana business. Alejandro learns remarkably fast, which is just one of the reasons he’s selected for special missions during his tour of duty in Europe. Somewhat annoyingly, Alejandro excels at absolutely everything—he’s a skilled handyman, he’s intelligent, an outstanding dancer, humble, loyal, he speaks four languages, and to top it all off, he has movie-star good looks. The one constant in this occasionally arduous saga is that women everywhere seem to fall in love with Alejandro, yet he’s unable (or unwilling) to sustain a long-term relationship. Given stiff dialogue and questionable motivations, the majority of de Haro’s characters fall flat, leaving readers little to care about. Additionally, the lengthy linear storytelling may be too much for less dedicated readers. Perhaps in attempting to bring the Mexican-American immigrant/Hollywood/wartime experience to life, de Haro tackles a bit too much.
Part romance, part battle, part triumph, this American experience contains fascinating tidbits for history and movie buffs, but the volume of detail tends to obscure the big picture.Pub Date: Dec. 27, 2012
ISBN: 978-1479344635
Page Count: 372
Publisher: CreateSpace
Review Posted Online: March 13, 2013
Review Program: Kirkus Indie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
