paper 1-889330-29-9 Another in the imitation-of-the-greats genre, this time turning on the narrow premise that Mr. Clarissa Dalloway was gay. (Lippincott wrote The Real, True Angel, stories, not reviewed.) For a decade, Richard Dalloway, aged 55 and retired from Parliament, has been carrying on an affair with one Robert Davies, ten years his junior and as enamored of Richard as Richard is of him. Clarissa herself, when Richard confessed to her the nature of what was going on, informed him with classic tolerance that she “understood——and that seemed to have been that. And yet Richard’s secret torture still won—t go away as he suffers ploddingly between the torment of desire and the awful terror of discovery. Like Mrs. Dalloway in her book, Mr. Dalloway walks through the park, buys flowers, thinks about the past, plans a party—for the Dalloways” 30th anniversary. His and others” thoughts are portrayed amid small blizzards of parentheses (and shouldn—t they be?) far in excess (one can—t help but feel) of any Woolfian measure, while a craven imitativeness in style, however skilled, seems designed as much to fill stage-time as to advance or reveal (Woolf’s towering purpose) things (—Oh, it is cruel, Richard Dalloway thought—life, time: cruel—). Waiting (and waiting) for the party to begin, explorations are made into the causes of the same-sex love in Robbie and Richard—Robbie’s wonderful relation with his now-absent father, Richard’s hideous relation with his—not to mention Richard’s unbounded love for his younger brother Duncan, who in his early teens, however, bowed tragically out of life altogether (—There. There it was. There he was—a white, bloodless Duncan, hanging...from one of the rafters. No! Richard turned away. It couldn—t be! No! It wasn—t possible . . . .—). A first novel that’s often elegant (to a fault, one quickly adds) in imitation of surface and style but that gravely misconstrues its high model by bending it to lesser and unoriginal aims.
Pub Date: July 1, 1999
ISBN: 1-889330-28-0
Page Count: 232
Publisher: Sarabande
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1999
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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