Fascinating and historically accurate, but the story sinks fast under the weight of clumsy exposition and a stilted style...

VIRGIN

More trials and tribulations of the Tudor dynasty from Maxwell (The Queen’s Bastard, 1999, etc).

Henry VIII’s young daughter, Elizabeth, may succeed to England’s throne someday—and her future husband would be king. There are others in the line of succession and rivals to dispatch, but that doesn’t trouble Thomas Seymour, Lord High Admiral and new husband of Henry’s last wife, gentle Catherine Parr. Scheming Thomas has grandiose plans for his advancement at court. The arrogant lord is convinced that a girl as tender and nubile as Elizabeth will succumb sooner or later to his manly charms, especially considering that Anne Boleyn’s wanton blood runs in her veins. Elizabeth proves to be not quite that easy, keeping in mind her mother’s beheading and knowing well the cost of a single misstep, even for a Tudor princess. Also, she loves and respects Catherine, who befriended the lonely, outcast girl before her half-brother Edward was crowned. But Thomas is determined to have her and commences a carefully planned seduction. Innocent Elizabeth is bedeviled by sensual fantasies. Thomas, licking her royal toes . . . and moving slowly upward. Thomas, kissing her passionately. Oh, Thomas, Thomas. . . . He waylays her in the castle and outside, arranges for her to catch him romping half-clothed in bed with Catherine, whose pregnancy has addled her wits. Or is Thomas slowly poisoning the poor woman? At one point, Catherine even helps her evil-hearted husband capture Elizabeth, then lets him slit open the young girl’s gown and bare her breasts. But it all comes to naught: Thomas’s plot to kidnap the boy king is uncovered, and Catherine divorces him. Accused of treason, Elizabeth is exonerated, but there are unanswered questions: Was Thomas her first lover? Did she secretly bear him an illegitimate child and have it killed at birth?

Fascinating and historically accurate, but the story sinks fast under the weight of clumsy exposition and a stilted style crowded with minutiae.

Pub Date: June 1, 2001

ISBN: 1-55970-563-9

Page Count: 256

Publisher: Arcade

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 2001

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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