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JANE

THE WOMAN WHO LOVED TARZAN

A respectful, exciting and disarming update of one of the last century’s most oft-told tales.

The old “Me Tarzan, You Jane” dynamic established in Johnny Weismuller movies gets a radical update by shining the spotlight on adventuress Jane Porter.

The author fully reinvents the character of Jane Porter, so often the “damsel-in-distress,” by making her a budding paleoanthropologist and giving her good reasons to explore the wilds of Africa. At 20-something, Porter is considered a spinster by her family, save her beloved father, a fellow scientist. They’re both intrigued when American Ral Conrath invites them to join an expedition to West Africa, luring them in with tales of the apelike, croc-killing creature with white skin. A neatly framed narrative finds Jane recounting her story to budding storyteller Burroughs during an encounter in Chicago in 1912. Meanwhile, flashbacks to 1905 find a rifle-wielding Jane nearly shooting Ral Conrath, a cad and corrupt treasure hunter, before falling into the arms of the missing Lord Greystoke and his tribal comrades (it’s worth using the Mangani-English glossary helpfully included). Maxwell ticks all the boxes, including offering up a hunky Tarzan, primeval jungle life and a bit of tasteful lust on Jane’s part. “You do not live in Africa, my dear,” she’s warned. “Africa lives in you.” Jane Goodall and Isak Dinesen would be right at home with Miss Jane Porter.

A respectful, exciting and disarming update of one of the last century’s most oft-told tales.

Pub Date: Sept. 18, 2012

ISBN: 978-0-7653-3358-2

Page Count: 320

Publisher: Tor

Review Posted Online: Aug. 2, 2012

Kirkus Reviews Issue: Aug. 15, 2012

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LONESOME DOVE

This is a masterly novel. It will appeal to all lovers of fiction of the first order.

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.

The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.

This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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