A satisfying reinvention story that handles painful issues with a light and uplifting touch.
After her financier husband commits suicide rather than face jail time for stealing from his clients, Emma Shay Compton comes home to Sonoma with the shadow of his crimes over her and must reinvent herself in a hostile landscape while reconnecting with friends she’d thought lost forever.
When Emma married her wealthy husband, she had no idea he was running a Ponzi scheme, but that doesn’t make it any easier to convince people of her innocence once he’s accused and kills himself. Going from mad wealth to mere sustenance isn’t as hard as knowing her husband ruined lives, but when she moves back to her hometown and finds it almost impossible to get a job, Emma begins to wonder if she’ll be able to survive, much less thrive. With help from a friend she finds a place to live and gets a terrible job that doesn’t last, but through it she runs into Adam, the brother of Riley, her childhood best friend. Riley had betrayed Emma in college, having an affair with her longtime boyfriend, which ended the friendship for good. But now Riley runs a cleaning company with better opportunities than anything Emma can find, so Adam encourages her to get in touch with Riley and see if she can help. Emma swallows her pride and asks Riley for a job, which she gives her, but the two still hold grudges from the past, and neither is interested in trying to rekindle their friendship. Riley is surprised to discover, however, that Emma is truly determined to work hard and embrace her new, simpler life, and both women discover they admire and like the older versions of each other. And when circumstances threaten their families and happiness, they’ll both question what they’re holding onto—for instance, anger, resentment, and pride—and what they’re missing out on. Carr’s take on this complicated situation is interesting, though readers seeking a deeper reflection from Emma in the aftermath of her husband’s death or her stepmother’s spite may be disappointed.
A satisfying reinvention story that handles painful issues with a light and uplifting touch.Pub Date: Sept. 27, 2016
ISBN: 9780778319672
Page Count: 368
Publisher: Harlequin MIRA
Review Posted Online: July 30, 2016
Kirkus Reviews Issue: Aug. 1, 2016
Pevear's informative introduction and numerous helpful explanatory notes help make this the essential Anna Karenina.
The husband-and-wife team who have given us refreshing English versions of Dostoevsky, Gogol, and Chekhov now present their lucid translation of Tolstoy's panoramic tale of adultery and society: a masterwork that may well be the greatest realistic novel ever written. It's a beautifully structured fiction, which contrasts the aristocratic world of two prominent families with the ideal utopian one dreamed by earnest Konstantin Levin (a virtual self-portrait). The characters of the enchanting Anna (a descendant of Flaubert's Emma Bovary and Fontane's Effi Briest, and forerunner of countless later literary heroines), the lover (Vronsky) who proves worthy of her indiscretion, her bloodless husband Karenin and ingenuous epicurean brother Stiva, among many others, are quite literally unforgettable. Perhaps the greatest virtue of this splendid translation is the skill with which it distinguishes the accents of Anna's romantic egoism from the spare narrative clarity with which a vast spectrum of Russian life is vividly portrayed.
Pevear's informative introduction and numerous helpful explanatory notes help make this the essential Anna Karenina.Pub Date: Feb. 1, 2001
ISBN: 0-670-89478-8
Page Count: 864
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2001
PERSPECTIVES
Hannah, after eight paperbacks, abandons her successful time-travelers for a hardcover life of kitchen-sink romance. Everyone must have got the Olympic Peninsula memo for this spring because, as of this reading, authors Hannah, Nora Roberts, and JoAnn Ross have all placed their newest romances in or near the Quinault rain forest. Here, 40ish Annie Colwater, returns to Washington State after her husband, high-powered Los Angeles lawyer Blake, tells her he’s found another (younger) woman and wants a divorce. Although a Stanford graduate, Annie has known only a life of perfect wifedom: matching Blake’s ties to his suits and cooking meals from Gourmet magazine. What is she to do with her shattered life? Well, she returns to dad’s house in the small town of Mystic, cuts off all her hair (for a different look), and goes to work as a nanny for lawman Nick Delacroix, whose wife has committed suicide, whose young daughter Izzy refuses to speak, and who himself has descended into despair and alcoholism. Annie spruces up Nick’s home on Mystic Lake and sends “Izzy-bear” back into speech mode. And, after Nick begins attending AA meetings, she and he become lovers. Still, when Annie learns that she’s pregnant not with Nick’s but with Blake’s child, she heads back to her empty life in the Malibu Colony. The baby arrives prematurely, and mean-spirited Blake doesn’t even stick around to support his wife. At this point, it’s perfectly clear to Annie—and the reader—that she’s justified in taking her newborn daughter and driving back north. Hannah’s characters indulge in so many stages of the weeps, from glassy eyes to flat-out sobs, that tear ducts are almost bound to stay dry. (First printing of 100,000; first serial to Good Housekeeping; Literary Guild/Doubleday book club selections)
Pub Date: March 31, 1999
ISBN: 0-609-60249-7
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
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